Hector Rojas's ' "Las mañanitas" was released on its scheduled release date, 1998. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hector Rojas's "Manuel M. Ponce Obra Completa para Piano" album is number 19 out of 186. On top of that, Mexico appears to be the country where this track was created. In terms of popularity, Las mañanitas is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Las mañanitas by Hector Rojas to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM | ||
| 12 Danzas españolas, Op. 37: No. 5, Andaluza (Arr. J. Mourat for Guitar & Mandolin) | Enrique Granados, Jens-Uwe Popp, Jochen Roß | B Minor | 0 | 10A | 149 BPM | ||
| Pièces de clavecin, Book 1: No. 6, L'aimable (Arr. Feuillâtre for Guitar) | Joseph-Nicolas-Pancrace Royer, Raphaël Feuillâtre | D Minor | 2 | 7A | 130 BPM | ||
| Myers: Cavatina (From "The Deer Hunter") | Stanley Myers, Thibaut García | E Major | 0 | 12B | 176 BPM | ||
| Kinderszenen, Op. 15 (Arr. for Guitar by Johan Smith): VII. Träumerei | Robert Schumann, Johan Smith | D Major | 0 | 10B | 137 BPM | ||
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
| Barrios Mangoré: Preludio en do menor | Agustín Barrios Mangoré, Thibaut García | A♭ Major | 1 | 4B | 95 BPM | ||
| Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
| El Día Que Me Quieras | Victor Villadangos | D Major | 0 | 10B | 80 BPM | ||
| Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
| Sainz de la Maza: La frontera de Dios: V. Sacrificio | Regino Sáinz de la Maza, Thibaut García | E Minor | 0 | 9A | 70 BPM | ||
| I. Córdoba | Ernesto Lecuona, Yami CruzMontero | F♯ Major | 1 | 2B | 62 BPM | ||
| Poema Elegiaco | Manuel Ponce, Jorge Federico Osorio, The State of Mexico Symphony Orchestra, Enrique Bátiz | D♭ Minor | 1 | 12A | 70 BPM | ||
| Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
| A la Santaninfara | Roberta Gennuso, Stefano Vivaldini | D Minor | 0 | 7A | 89 BPM | ||
| Four States of Being: II. Obsession | David Braid, Gerard Cousins | A♭ Major | 1 | 4B | 111 BPM | ||
| Preludios Epigramaticos: No. 1 | Leo Brouwer, Elena Papandreou | G Major | 0 | 9B | 116 BPM | ||
| Cançons Populars: El Testament d'Amèlia | Miguel Llobet Solés, Franz Halász | D Minor | 1 | 7A | 131 BPM | ||
| Adagio of Spartacus and Phrygia (Transcr. E. Khachaturian for Solo Piano) - Excerpt | Aram Khachaturian, Jean-Yves Thibaudet | F Minor | 0 | 4A | 67 BPM | ||
| Granados: 12 Danzas españolas: No. 5, Andaluza | Manuel Barrueco | G Minor | 0 | 6A | 113 BPM | ||
| Debussy: Arabesque No. 1, L. 66 | Claude Debussy, Rosie Bennet | G Major | 1 | 9B | 99 BPM | ||
| Suite Mística: Pentecostes | V. Asencio, Andrés Segovia | G Minor | 0 | 6A | 130 BPM | ||
| Leonor (canción salvadoreña) | Rodrigo Avilés | E Major | 0 | 12B | 99 BPM | ||
| Schwanengesang, D. 957: No. 4, Ständchen (Transcr. for Cello and Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | D Minor | 0 | 7A | 72 BPM | ||
| Fracture (Arr. for Guitar by Sérgio Assad) | Stephan Moccio, Plínio Fernandes | E Major | 2 | 12B | 140 BPM |