Tokyo Q Channel's ' "[いつか]は今日だった" was released on its scheduled release date, September 19, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "SandWich". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Japan. Based on our statistics, [いつか]は今日だった's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With [いつか]は今日だった by Tokyo Q Channel having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Do You Remember Me? | Ribbon | A Major | 8 | 11B | 134 BPM | ||
| ロンリー・ガール - 2020 Remaster | Mari Iijima | E Major | 3 | 12B | 132 BPM | ||
| Tears of Joy | Tomoyo Harada | D Major | 3 | 10B | 81 BPM | ||
| Tokyo ga Suki | Keiko Mizukoshi | F♯ Major | 8 | 2B | 111 BPM | ||
| JESSY | 河合その子 | D♭ Minor | 8 | 12A | 122 BPM | ||
| SWitch on Ⅱ | Tokyo Q Channel | D Major | 5 | 10B | 103 BPM | ||
| One 2012mix | PRINCESS PRINCESS | F Major | 9 | 7B | 123 BPM | ||
| VOICE | Miki Imai | B♭ Major | 5 | 6B | 120 BPM | ||
| 2年目のイヴ - 2019 Remaster | PINK SAPPHIRE | C Major | 10 | 8B | 147 BPM | ||
| 記憶の迷路 | Chill City Pop | B♭ Major | 5 | 6B | 120 BPM | ||
| すきのその先へ | Misato Watanabe | C Major | 7 | 8B | 110 BPM | ||
| 恋びとたちのように | Off Course | F♯ Minor | 6 | 11A | 115 BPM | ||
| 17才 - 「ザ・シングルス」LIVE 2018 Day1 | Chisato Moritaka | F Major | 10 | 7B | 134 BPM | ||
| 君が瞳にしみる | Keizo Nakanishi | A♭ Minor | 7 | 1A | 98 BPM | ||
| summer-est ~一番眩しい夏~ | 東野純直 | D♭ Major | 7 | 3B | 115 BPM | ||
| 天使の休息2020 | Fumina Hisamatsu | D Major | 5 | 10B | 120 BPM | ||
| Bran-new day | Tokyo Q Channel | B♭ Major | 9 | 6B | 120 BPM | ||
| 流れるテールランプ(Streaming Tail Lights) | CITY POP STATION | B♭ Major | 5 | 6B | 120 BPM | ||
| あこがれのままで | Miki Imai | E♭ Major | 4 | 5B | 130 BPM | ||
| あなたと生きてく | Yumi Tanimura | B♭ Major | 5 | 6B | 82 BPM | ||
| ふたり | ASKA | B♭ Major | 4 | 6B | 77 BPM | ||
| Anneの街 | Yuko Hara | D Minor | 5 | 7A | 146 BPM | ||
| Natsu no Scene | Ami Ozaki | D Major | 4 | 10B | 141 BPM | ||
| close[klous] | Tokyo Q Channel | B♭ Major | 9 | 6B | 120 BPM | ||
| 愛をあたためて | 高田みづえ | G Major | 1 | 9B | 75 BPM |