RISHI SINGH, Luck's ' "Parcha - Studio" was released on its scheduled release date, January 22, 2013. This song is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in RISHI SINGH, Luck's "Kiddan (Studio)" album is number 1 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Parcha - Studio's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Parcha - Studio by RISHI SINGH, Luck to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Khatuwalo Shyam Tere Saath Mei (New Bhajan) | Shubham Rupam | A♭ Major | 5 | 4B | 83 BPM | ||
| Bhajo Ram | Mohit Lalwani, Bharat Kamal | G Major | 3 | 9B | 184 BPM | ||
| Ram Aayenge | Saaz Malhotra, Dr. Prakhar Dagar | G Major | 5 | 9B | 96 BPM | ||
| Mahakal Bhajan | Nitin Bagwan | D Major | 5 | 10B | 140 BPM | ||
| Ujjain Ke Raja Bhole Bhandari | Unix Bhakti, Nitin Bagwan | B♭ Major | 4 | 6B | 85 BPM | ||
| Darbaar baba tere | Hritik Jain | B Major | 5 | 1B | 86 BPM | ||
| Radha Main Teri Krishna | Ehsaaas, Tanish Sharma, Marz | A Major | 3 | 11B | 75 BPM | ||
| Bhole Tere Dar Pe Chale Ayenge | A-Jay M | C Major | 10 | 8B | 134 BPM | ||
| Mere Tan Me Ram Mere Man Me Ram | Madhav Sharma, Runa Hussain | A♭ Major | 5 | 4B | 84 BPM | ||
| Na Rol Maiye | Nitesh Garla | B Minor | 9 | 10A | 112 BPM | ||
| Ik Tere Sahare - Unplugged | Siddharth Mohan | D♭ Minor | 9 | 12A | 112 BPM | ||
| Kewat Ne Kaha Raghurai Se | RISHI SINGH, Ankit-Chetan, Mohit Bajpai | F Minor | 7 | 4A | 98 BPM | ||
| Jabse Banke Bihari | Gaurav Krishna Goswami | D♭ Major | 8 | 3B | 84 BPM | ||
| Tere Naam Ki Mala Japu | Premanand Maharaj Ji | G Minor | 4 | 6A | 84 BPM | ||
| Gokul Ma Kon Hati Radha | Hemant Chauhan | A♭ Major | 3 | 4B | 128 BPM | ||
| Akhiri Baar | RISHI SINGH, Kavya Limaye | C Major | 1 | 8B | 96 BPM | ||
| Humare Saath Shri Raghunath Lo-Fi Version | Agam Aggarwal, AJ Beats | E♭ Major | 5 | 5B | 117 BPM | ||
| Pakad Lo Hath Banwari | Rekha Rao | D♭ Minor | 6 | 12A | 170 BPM | ||
| Suno Krishna Pyaare 2.0 | Swati Mishra, Mohit Musik | E♭ Minor | 7 | 2A | 130 BPM | ||
| Radha Rang | Devi Chitralekha, Shriyansh Pratap Singh, Kewal Krishan | D♭ Major | 7 | 3B | 80 BPM | ||
| Karte Ho Tum Kanhaiya | Preet B | A♭ Major | 4 | 4B | 105 BPM | ||
| Mere Bholenath Ji | Krishna Chaturvedi | F Major | 6 | 7B | 88 BPM | ||
| Tune Khub Diya Bhagwan | Roopesh Jain | A♭ Major | 7 | 4B | 76 BPM | ||
| Shiv Ji Bihane Chale Palki Sajay Ke | Gandharv Negi | A♭ Major | 8 | 4B | 116 BPM | ||
| Ballia Me Dobara Aaibu Na - Original | Swikriti Sharma, Sunny Upadhyay, RISHI SINGH, Aastha Shree | E♭ Minor | 9 | 2A | 130 BPM |