On April 19, 2024, the song "Tu Rehva Mane Ke Tu Aava Mane Ke" was released by Gopal Rathva. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Taro Banevi". In this album, this song's track order is #21. Furthermore, we believe that the track originated from India. Based on our statistics, Tu Rehva Mane Ke Tu Aava Mane Ke's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Tu Rehva Mane Ke Tu Aava Mane Ke by Gopal Rathva having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kachi Paki Keri Khava Aave Vevon Pt.2 | Navji Parghi | F♯ Major | 8 | 2B | 115 BPM | ||
| Ghutalu | Vikash Morya, Sohan Morya, Mahesh Dawar | F♯ Major | 9 | 2B | 144 BPM | ||
| Lal Dress Ma Tu Mast Lage - Lal Dress | Kishan Rathva | F♯ Minor | 9 | 11A | 133 BPM | ||
| Chal Bhagoriya Jata | Rakesh Dudwe | D♭ Minor | 9 | 12A | 140 BPM | ||
| Dil No Tu Dhabkaro Maro | Dashrath Thakor, Reshma Thakor | D♭ Major | 6 | 3B | 136 BPM | ||
| Sali Mari Sarki Mp | RK Adivasi Music, Sanjay Mandloi | G Major | 8 | 9B | 132 BPM | ||
| Bhabhi Taro Gharvado Hath Mathi Jay Che | Vikram Chauhan | B Minor | 9 | 10A | 127 BPM | ||
| Juwanai Dharle Maara Number | Subhash Uchaware | F♯ Minor | 9 | 11A | 140 BPM | ||
| Aapna Aadiwasi | Bheem Kanoje, Piru Bhai Solanki, Shital Senani | B Major | 9 | 1B | 135 BPM | ||
| Babadev Aay Guyu | Sanjay Mandloi, Sapna Pancholi | A Major | 9 | 11B | 144 BPM | ||
| Kishan Rathva Express Part 2 | Kishan Rathva | F♯ Minor | 8 | 11A | 129 BPM | ||
| Navlo Lado Gadhda Chare | Arvin Dawar, Sanjay Mandloi | B♭ Minor | 9 | 3A | 144 BPM | ||
| Tu Bhi Radha Ki Diwani Me Bhi Bhole ko Bhagat | Satto Gurjar, SR Gurjar Seupura | G Major | 8 | 9B | 95 BPM | ||
| Boyde Lakda Kato Juvanay Aadiwasi Music | Mp Regional Music | B Minor | 8 | 10A | 135 BPM | ||
| Modavado Saiyaro | Kajal Dodiya | B♭ Minor | 9 | 3A | 96 BPM | ||
| Dj Par Nachne Aavli P.t 3 | Prakash Solanki, Piru Bhai Solanki | B♭ Minor | 8 | 3A | 130 BPM | ||
| Hamu Aadivasi Bhaya Part 2 | Sandip Rathva Khatash, Gopal Rathva | A Major | 8 | 11B | 130 BPM | ||
| Tuse Ni Aawe Pali | Deepak Chongad, Antarsingh Solanki | D♭ Minor | 8 | 12A | 140 BPM | ||
| Love Che Lamna Valo-Prem Nagar Thi Bypass | Gopal Rathva | F♯ Minor | 9 | 11A | 136 BPM | ||
| Janu Mali Chalu Part 4 | Gopal Rathva | G Major | 9 | 9B | 140 BPM | ||
| Ek Aankh Si Vo | Anandilal Bhavel | F♯ Major | 8 | 2B | 112 BPM | ||
| Bayde Kabddi Kheladu | Sohan Morya, Vikash Morya, Sapna Pancholi | G Major | 9 | 9B | 131 BPM | ||
| Mp Ni Bottle Ma Halol No Paani | Sohan Bhai Rajawat, Kamlesh Barot | F Minor | 8 | 4A | 127 BPM | ||
| Chamak Chandni Raat | Ishwar Thakor | F♯ Major | 9 | 2B | 180 BPM | ||
| Sukele Kutde - Nawai Garba | Hashiram Alawe | B♭ Minor | 8 | 3A | 145 BPM |