Gopal Rai's ' "Ghas Gadab Khet Mein" was released on its scheduled release date, May 28, 1998. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The song is number 2 out of 8 in Dahele Sanwarki by Gopal Rai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Ghas Gadab Khet Mein's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ghas Gadab Khet Mein by Gopal Rai is Vivace (lively and fast), since this song has a tempo of 157 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ved Jiva Lavito Pava | Suryakant Shinde | A♭ Minor | 9 | 1A | 153 BPM | ||
| Karle Ram Nu Tu Yaad Ik Baar Bandeya | Dhiraj Sharma | E♭ Minor | 6 | 2A | 173 BPM | ||
| Mayi Ho Didiya Kanha Gayili | Arvind Akela Kallu Ji | B♭ Minor | 9 | 3A | 154 BPM | ||
| Tujhe Kya Mila | Arshad Kamli, Naim Sabri | B♭ Minor | 9 | 3A | 174 BPM | ||
| Holi Ka Tyohaar Hai Aaya | Gyanendra Sharma, Ravi Sharma | C Major | 9 | 8B | 135 BPM | ||
| Kahani Prema Ra | Suresh Wadkar | A♭ Major | 7 | 4B | 81 BPM | ||
| Kiti Tukade Tukade | Yuvraj Pradhan | A♭ Minor | 6 | 1A | 90 BPM | ||
| Jinagi Ha Anmol Ratan | Radhe Shyam Rasiya | C Major | 10 | 8B | 90 BPM | ||
| Ankhiya Me Bhar Ke Asarwa | Bharat Sharma | B♭ Major | 7 | 6B | 145 BPM | ||
| Lelo Ri Lelo Maiya | Reema Noopur | A Major | 5 | 11B | 156 BPM | ||
| Raja Bharat Ri Bhajan Ramniwas Ji Rao | Raghavnath Lavera | D♭ Major | 2 | 3B | 80 BPM | ||
| Eadha Rani Ka Naam | Baba Rasika Pagal | E♭ Major | 7 | 5B | 175 BPM | ||
| Kahan Gaya Bedardi | Attaullah Khan | A♭ Major | 5 | 4B | 128 BPM | ||
| Pat Khulte Hi Maai Musukai Lee | Bharat Sharma Vyas | G Minor | 5 | 6A | 123 BPM | ||
| Javna Rog Ke Dawaai Na | Bharat Sharma Vyas | E♭ Major | 7 | 5B | 175 BPM | ||
| Bahbhi Man Ki Sari | Satpal Dosa, Mainpal Baseda | A♭ Major | 7 | 4B | 81 BPM | ||
| Rupiya Paisa Mangboo Bhauji | Gopal Rai | F♯ Major | 8 | 2B | 93 BPM | ||
| Durga Pooja Elai | Dilip Darbhangiya | E Major | 8 | 12B | 158 BPM | ||
| Jahle Buddhache Nirvan | Milind Shinde | A Major | 4 | 11B | 90 BPM | ||
| Hey Gaura Toharo Sajanwa Na | Kunj Bihari Mishr | A♭ Major | 9 | 4B | 173 BPM | ||
| O Tera Ki Lagda Kaali Kamli Wala | Dhiraj Sharma | A♭ Major | 7 | 4B | 175 BPM | ||
| Admapurala Balumama Nandatoy | Vijay Sartape | F Minor | 7 | 4A | 120 BPM | ||
| Aanchar Bheej Gail - Purvi Classical Folk | Kalpana Patowary | E♭ Major | 7 | 5B | 100 BPM | ||
| Guru Mazhya Ho Nathala | Shakuntala Jadhav | B Major | 7 | 1B | 101 BPM | ||
| Mandpiya Wala Seth Sanvra Nalo Toh Shri | Bablu Rajasthani | F Minor | 10 | 4A | 130 BPM |