"Sissones" by Adolphe Adam, Charles Mathews had its release date on March 12, 2012. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Charles Mathews's "Music for Ballet Class - Volume 2" album is number 22 out of 33. On top of that, United States appears to be the country where this track was created. In terms of popularity, Sissones is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sissones by Adolphe Adam, Charles Mathews to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Squirrel Nutkin | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | G Major | 2 | 9B | 131 BPM | ||
| Strauss II, J: Frühlingsstimmen, Op. 410 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 103 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Much Ado About Nothing, Op. 11, Suite: IV. Intermezzo "Garden Scene" (Arr. Spindler for Violin & Orchestra) | Erich Wolfgang Korngold, Bomsori, Bamberger Symphoniker, Jakub Hrůša | B♭ Major | 1 | 6B | 173 BPM | ||
| Giselle, Act II: Adagio | Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov | G Major | 0 | 9B | 94 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Gaîté parisienne: Barcarolle | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 82 BPM | ||
| Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Andante - III. Molto meno mosso (Live) | Rogerio Tutti, Rogerio Tutti Orchestra | D♭ Major | 3 | 3B | 89 BPM | ||
| Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
| Don Quixote: Act I: Coda: Basilio and Quiteria make their escape | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D Major | 2 | 10B | 167 BPM | ||
| Sailing By | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
| Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
| Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | ||
| Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Helsinki Philharmonic Orchestra, Leif Segerstam | F Major | 0 | 7B | 84 BPM | ||
| Dance Of The Cygnets | Westminster Concert Orchestra | D Major | 3 | 10B | 72 BPM | ||
| Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | E♭ Major | 0 | 5B | 94 BPM | ||
| Capriol Suite: II. Pavane | Peter Warlock, Büyükada Ensemble, James Ross | B♭ Major | 1 | 6B | 76 BPM | ||
| Angels in the Bleak Midwinter | Larry Clark, Loren Li, Sartartia Middle School Orchestra, Ann Victor | F Major | 2 | 7B | 73 BPM | ||
| Cinderella, Op. 87: 16. Winter Fairy | Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev | C Major | 1 | 8B | 118 BPM | ||
| La Bayadere, Act III: 39. "Entrance of the Shades" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 76 BPM | ||
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
| La bayadère, Act II: "Variazione Gamzatti" | Silvano Belfiore | A♭ Major | 4 | 4B | 86 BPM | ||
| Bizet: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Emmanuel Pahud, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | F Major | 1 | 7B | 83 BPM |