"Pavane in F-Sharp Minor, Op. 50" by Gabriel Fauré, Charles Gerhardt, National Philharmonic Orchestra had its release date on 1978. This song is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. There are a total of 9 in the song's album "The French Touch". In this album, this song's track order is #3. Pavane in F-Sharp Minor, Op. 50 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pavane in F-Sharp Minor, Op. 50 by Gabriel Fauré, Charles Gerhardt, National Philharmonic Orchestra having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
| Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Hugh Wolff, Saint Paul Chamber Orchestra | A Major | 1 | 11B | 168 BPM | ||
| Fauré: Pavane, Op. 50 | Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 130 BPM | ||
| Valse triste | Jean Sibelius, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic | G Major | 0 | 9B | 170 BPM | ||
| Requiem in D Minor, Op.48: 7. In paradisum | Gabriel Fauré, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner | D Major | 0 | 10B | 72 BPM | ||
| Drigo: Pas-de-deux du Corsaire: No. 1, Introduction (Moderato assai - Andante) [for Adolphe Adam's ballet] | Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | A♭ Major | 1 | 4B | 131 BPM | ||
| Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D Minor | 1 | 7A | 75 BPM | ||
| Holberg Suite, opus 40:Air (Andante religioso) | Academy of St. Martin in the Fields | G Minor | 1 | 6A | 67 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Elgar: Chanson de matin, Op. 15 No. 2 | Edward Elgar, Andrew Davis, BBC Symphony Orchestra | G Major | 1 | 9B | 92 BPM | ||
| The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
| Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, London Musici, Mark Stephenson, Nigel Woodhouse | C Major | 6 | 8B | 97 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, London Chamber Orchestra, Christopher Warren-Green | E Major | 1 | 12B | 82 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
| La Gioconda, Op. 9: Dance of the Hours | Amilcare Ponchielli, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 117 BPM | ||
| Pavane, Op. 50 (Arr. H. Busser for cello and piano) | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 148 BPM | ||
| La chauve-souris : Ouverture | Johann Strauss II, Orchestre Symphonique De Radio-Télé-Luxembourg, Pierre Cao | B Minor | 2 | 10A | 80 BPM | ||
| Adagio for Strings, Op. 11 - Live | Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Minor | 0 | 3A | 86 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Yevgeny Sudbin, BBC Symphony Orchestra, Sakari Oramo | C Minor | 1 | 5A | 82 BPM | ||
| L'invitation au château, FP 138: Acte 2: Tango | Francis Poulenc, Eric Le Sage | F Minor | 0 | 4A | 97 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
| Scheherazade, Op. 35: No. 1, El mar y el barco de Simbad. Largo e maestoso - Allegro non troppo | Orquesta Sinfónica De Radio Ljubljana, Anton Nanut | E Major | 2 | 12B | 79 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM |