On August 27, 2003, the song "WHITE BASE, Nanbei e [Ⅰ]-M-52" was released by 渡辺岳夫. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Yushi Matsuyama, Takeo Watanabe, Masahisa Takeichi's "MOBILE SUIT GUNDAM Ⅰ Ⅱ Ⅲ Original Motion Picture Soundtrack" album is number 24 out of 137. On top of that, Japan appears to be the country where this track was created. The popularity of WHITE BASE, Nanbei e [Ⅰ]-M-52 is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of WHITE BASE, Nanbei e [Ⅰ]-M-52 by 渡辺岳夫 to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| サテライト・キャノン | 樋口康雄 | F Minor | 6 | 4A | 129 BPM | ||
| NHK大河ドラマ「天地人」メインテーマ | Michiru Oshima, Osaka Toin Symphonic Band | F Major | 3 | 7B | 118 BPM | ||
| 主題(Furuhata's Theme) | Yusuke Honma | E Minor | 4 | 9A | 138 BPM | ||
| SF交響ファンタジー第1番(1983) 「宇宙大戦争」戦争シーン | 伊福部昭, 広上淳一, Japan Philharmonic Orchestra | A Minor | 7 | 8A | 136 BPM | ||
| 永遠の愛 ―プロローグ― | ヘルシー・ウィングス・オーケストラ | B♭ Major | 3 | 6B | 97 BPM | ||
| ターニングポイント | Megumi Ohashi | E♭ Major | 6 | 5B | 154 BPM | ||
| 続・夕陽のガンマン - テーマソング | Ennio Morricone | D Minor | 9 | 7A | 108 BPM | ||
| 炎のドラゴン | 風のオーケストラ | B♭ Major | 4 | 6B | 138 BPM | ||
| 必殺! | Masaaki Hirao, Siena Wind Orchestra | G Minor | 5 | 6A | 121 BPM | ||
| BAD DREAM〔M-14〕 | 志熊研三 | D Major | 1 | 10B | 114 BPM | ||
| Ando | 渡辺岳夫 | B♭ Major | 5 | 6B | 125 BPM | ||
| ガルマ謀殺 M-57 | 渡辺岳夫 | C Major | 1 | 8B | 86 BPM | ||
| 出発(M19) | エクセリオン艦内管弦楽団 | D Major | 7 | 10B | 141 BPM | ||
| 必殺仕掛人 春雪仕掛針 荒野の果てに・インストゥルメンタル ①M30 | Masaaki Hirao | B♭ Minor | 5 | 3A | 135 BPM | ||
| Kikan [M-7] | Kohei Tanaka | E♭ Major | 6 | 5B | 154 BPM | ||
| Godzilla vs. the Super-X | 小六禮次郎 | F Major | 3 | 7B | 81 BPM | ||
| ビギニング | Daisuke Inoue | A Minor | 3 | 8A | 87 BPM | ||
| 銀河鉄道999 | Masaaki Hirao, Japan Maritime Self-Defense Force Band,Tokyo, 手塚裕之, Yukari Miyake | A Minor | 6 | 8A | 109 BPM | ||
| Loum no Akai Suisei | Takayuki Hattori | B♭ Major | 7 | 6B | 87 BPM | ||
| はるかなる王宮 | Takashi Kako | C Major | 1 | 8B | 77 BPM | ||
| ゼクスが来る | 大谷幸 | G Minor | 4 | 6A | 75 BPM | ||
| 事件 | Takashi Kako | F♯ Minor | 3 | 11A | 142 BPM | ||
| 遊星から来た兄弟 勝利 (M5) - 『ウルトラマン』より | スタジオ・オーケストラ | F Major | 4 | 7B | 90 BPM | ||
| ルパン三世 その1 - ルパン三世主題歌 I | Charlie Kosei | F♯ Minor | 2 | 11A | 135 BPM | ||
| ウルトラQ テーマⅢ(M-2T2) 〈2022リマスタリング〉 | 宮内國郎 | G Major | 3 | 9B | 98 BPM |