Requiem Canticles: Libera me by Igor Stravinsky, Sally Burgess, Roderick Williams, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft Song Details

"Requiem Canticles: Libera me" by Igor Stravinsky, Sally Burgess, Roderick Williams, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft had its release date on April 5, 2011. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Stravinsky: Duo Concertant". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Requiem Canticles: Libera me's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Requiem Canticles: Libera me by Igor Stravinsky, Sally Burgess, Roderick Williams, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.

Music Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 8%
Loudness: -20.694 dB
Acousticness: 99%
Danceability: 25%
Energy: 27%
Instrumentalness: 1%
Liveness: 12%
Loudness: 66%
Speechiness: 4%
Valence: 11%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 2: II. Allegro molto	Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra	F Major	1	7B	146 BPM
Piano Concerto No. 3 in C Major, Op. 26: II. Tema con variazioni	Sergei Prokofiev, Martha Argerich, Berliner Philharmoniker, Claudio Abbado	C Major	2	8B	116 BPM
Symphony No. 1 in E Major, Op. 26: I. Lento	Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi	B♭ Minor	2	3A	86 BPM
6 Impromptus, Op. 5: Impromptu V	Jean Sibelius, Leif Ove Andsnes	B Minor	0	10A	72 BPM
Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod"	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	E♭ Major	0	5B	79 BPM
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo - 2017 Remastered Version	Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic	B♭ Major	4	6B	106 BPM
Romeo and Juliet, Op. 64 - Act 1: The Fight	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	C Major	4	8B	108 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM
The Rite of Spring, Part 1: I. Adoration of the Earth	Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra	D Major	0	10B	79 BPM
Elegy, Op. 58	Edward Elgar, English Northern Philharmonia, David Lloyd-Jones	F Minor	0	4A	84 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	G Major	2	9B	90 BPM
Violin Concerto, Op. 36: I. Poco Allegro	Arnold Schoenberg, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen	A Minor	2	8A	82 BPM
Romeo and Juliet, Op. 64: Introduction	Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel	E Major	1	12B	112 BPM
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	A Major	1	11B	96 BPM
3 Pieces in Old Style: No. 1, Aria	Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit	B♭ Major	0	6B	75 BPM
Piano Concerto No. 1 in C Minor, Op. 35: I. Allegro moderato	Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	A♭ Major	3	4B	142 BPM
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	E Minor	1	9A	125 BPM
Gaspard de la nuit, M. 55: I. Ondine	Maurice Ravel, Martha Argerich	D♭ Major	0	3B	72 BPM
String Quartet No.2 in D Major	Alexander Borodin, Borodin Quartet	D Major	1	10B	174 BPM
Organ Concerto in G Minor, FP 93: III. Andante moderato	Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus	D♭ Major	0	3B	79 BPM
Tristan und Isolde, Act I: Prelude	Richard Wagner, Staatskapelle Dresden, Carlos Kleiber	A Major	1	11B	82 BPM
Enigma Variations, Op. 36: Var. 14. Finale. Allegro "E.D.U."	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Major	2	9B	115 BPM
Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	0	4B	78 BPM
Symphony No. 10 in E Minor, Op. 93: II. Allegro	Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	B♭ Minor	6	3A	89 BPM
Symphony No. 3 in F Major, Op. 90: IV. Allegro	Johannes Brahms, Berliner Philharmoniker, Claudio Abbado	C Major	1	8B	79 BPM