Harry Muskee's ' "At The End Of The Bar" was released on its scheduled release date, January 1, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 49 in Cuby - Collected by Cuby & The Blizzards. In terms of popularity, At The End Of The Bar is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of At The End Of The Bar by Harry Muskee is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Funny Valentine - Big Band Version - 24bit remastered | Herman Brood | C Minor | 2 | 5A | 86 BPM | ||
| Both Ends Burning | The Fatal Flowers | A Minor | 9 | 8A | 145 BPM | ||
| I'm Glad to Do It | Malford Milligan, The Southern Aces | F♯ Minor | 5 | 11A | 137 BPM | ||
| Where the Blues Come From | Chris Rea | D Minor | 5 | 7A | 140 BPM | ||
| Brother Booze | Harry Muskee | G Major | 3 | 9B | 79 BPM | ||
| No No No | Blue Blot | E Minor | 5 | 9A | 120 BPM | ||
| I'll Never Get You Over | John Hiatt | A Major | 6 | 11B | 90 BPM | ||
| Blues for Mama | J.J. Cale | A Major | 8 | 11B | 100 BPM | ||
| You Gonna Need My Help Someday | Twelve Bar Blues Band | A Minor | 5 | 8A | 181 BPM | ||
| Be Well | Luka Bloom | B Minor | 2 | 10A | 115 BPM | ||
| The Memory of Our Love | Henrik Freischlader | C Minor | 4 | 5A | 156 BPM | ||
| At Last | The Robert Cray Band | G Major | 3 | 9B | 185 BPM | ||
| Say Goodbye To The Blues | Walter Trout | C Minor | 3 | 5A | 164 BPM | ||
| Out Of My Mind | Delbert McClinton & The Dick50 | C Major | 1 | 8B | 134 BPM | ||
| Almost There | Barrelhouse | D Minor | 3 | 7A | 155 BPM | ||
| I'm Still Your Man | The Bluesbones | F♯ Major | 5 | 2B | 175 BPM | ||
| Lipstick Sunset | John Hiatt | D Major | 3 | 10B | 95 BPM | ||
| Ants in my tea | Charles et Les Lulus, Arno | B Minor | 5 | 10A | 111 BPM | ||
| Eternal Flame | Herman Brood | G Major | 5 | 9B | 142 BPM | ||
| She's Flying to America | Hessel | E Major | 2 | 12B | 145 BPM | ||
| She Moves Me | Delta Cross Band | A Minor | 3 | 8A | 100 BPM | ||
| The Wild Places | Duncan Browne | A Major | 7 | 11B | 119 BPM | ||
| Muddy Water Blues | Paul Rodgers | E Major | 8 | 12B | 186 BPM | ||
| Brother Sagittarius | Hessel | C Minor | 4 | 5A | 140 BPM | ||
| Blues Has Got a Hold on Me - Remastered | Alvin Lee | E Minor | 3 | 9A | 110 BPM |