Pierné, Leon Goossens, Gerald Moore's 'Pierné: Aubade' had a release date set for 2002. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Pierné: Aubade's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Rare Goossens". In this album, this song's track order is #5. Based on our statistics, Pierné: Aubade's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pierné: Aubade by Pierné, Leon Goossens, Gerald Moore having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fauré: Suite de Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. for Cello and Orchestra) | Gabriel Fauré, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra | E♭ Major | 1 | 5B | 72 BPM | ||
| Serenade for Strings in E Major, Op. 22, B. 52: II. Menuetto. Allegro con moto | Antonín Dvořák, Prague Philharmonia, Jakub Hrůša | A Major | 1 | 11B | 166 BPM | ||
| O Senhor É Minha Luz | Diego Adinolfi | E♭ Major | 2 | 5B | 86 BPM | ||
| Larghetto | Victoria Yagling, Raphaela Gromes, Julian Riem | A Minor | 1 | 8A | 69 BPM | ||
| Carnival of the Animals: 13. The Swan | And, Ferdin, Pro Musica Orchestra, Vienna, Roth | G Major | 0 | 9B | 132 BPM | ||
| Enigma Variations Op.36: Variation IX. Adagio 'Nimrod' | Edward Elgar, Maxwell Philharmonic Orchestra | B Minor | 4 | 10A | 160 BPM | ||
| 12 Klavierstücke für kleine und große Kinder, Op. 85: No. 12, Abendlied (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E♭ Minor | 2 | 2A | 81 BPM | ||
| Lieder ohne Worte VIII, Op. 102: I. Andante un poco agitato, MWV U162 (Arr. Ottensamer for Clarinet & Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | E Minor | 0 | 9A | 133 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| Korngold -Concerto for Violin and Orchestra in D Major, op.35: II Romance: Andante | Erich Wolfgang Korngold, James Ehnes, Vancouver Symphony Orchestra, Bramwell Tovey | G Major | 1 | 9B | 128 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 10, The Young Juliet | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | C Minor | 1 | 5A | 88 BPM | ||
| Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| An die Musik, D. 547 (transcribed for cello and piano by Thedéen & Shirinyan) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
| I. Prayer (Arr. C. Palmer) | Ernest Bloch, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy | F Minor | 0 | 4A | 103 BPM | ||
| 組曲「ドリー」 Op.56: III. ドリーの庭 | Gabriel Fauré, 原博巳, 大石将紀, 貝沼拓実, 伊藤富美恵 | E♭ Major | 0 | 5B | 68 BPM | ||
| Piano Trio No. 1 in B Major, Op. 8: II. Scherzo (Allegro molto) | Johannes Brahms, Maria João Pires, Augustin Dumay, Jian Wang | B Major | 1 | 1B | 79 BPM | ||
| Casals: El cant dels ocells | Pablo Casals, Han-Na Chang, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A Minor | 0 | 8A | 88 BPM | ||
| Järnefelt : Kehtolaulu (Berceuse) | Armas Järnefelt, Jyväskyla Symphony Orchestra, Kyosti Haatanen | G Minor | 1 | 6A | 89 BPM | ||
| Carnival of the Animals: XIII. The Swan | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | G Major | 0 | 9B | 102 BPM | ||
| Schumann: Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andante grazioso) [Live] | Robert Schumann, Martha Argerich, Alexandre Rabinovitch-Barakovsky, Orchestra della Svizzera Italiana | A Major | 1 | 11B | 130 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
| Romanian Folk Dances for Orchestra, Sz. 68 (Transcr. Willner for String Orchestra) | Béla Bartók, Stuttgart Chamber Orchestra, Dennis Russell Davies | D Major | 1 | 10B | 138 BPM | ||
| Night | Angèle Dubeau, La Pietà | E♭ Major | 1 | 5B | 178 BPM | ||
| Ravel : Pavane Pour Une Infante Defunte 라벨 : 죽은 왕녀를 위한 파반느 | Ensemble DITTO | G Major | 0 | 9B | 114 BPM |