"Hydroxychloroquine Part 2" by Peter Nashel, Brian Deming had its release date on March 15, 2021. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Hydroxychloroquine Part 2's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Totally Under Control (Original Motion Picture Soundtrack)". In this album, this song's track order is #24. Based on our statistics, Hydroxychloroquine Part 2's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hydroxychloroquine Part 2 by Peter Nashel, Brian Deming having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ronin | Hans Zimmer | D Minor | 1 | 7A | 111 BPM | ||
| Ambient Brood | Jack Livsey, Peter Nashel | D♭ Major | 4 | 3B | 105 BPM | ||
| Winds of Cyrene | Sarah Schachner, Assassin's Creed | G Minor | 3 | 6A | 146 BPM | ||
| The Borgias Main Title | Trevor Morris | F Major | 0 | 7B | 74 BPM | ||
| The Wandering Isle | Russell Brower, Neal Acree, World of Warcraft, Blizzard Entertainment | G Minor | 6 | 6A | 130 BPM | ||
| From Nothing Comes a King | Daniel Pemberton | D Major | 0 | 10B | 90 BPM | ||
| Spotlight | Howard Shore | G Major | 0 | 9B | 68 BPM | ||
| Funeral Rites | Rob Lane, The Budapest Film Orchestra and Choir, Circle Percussion Ensemble, Peter Pejtsik | D♭ Major | 1 | 3B | 146 BPM | ||
| Vox Luminae | Jack Livsey, Peter Nashel | D♭ Major | 4 | 3B | 105 BPM | ||
| The Seal People | Atli Örvarsson | F♯ Major | 1 | 2B | 134 BPM | ||
| The Crossroads of the World | Jesper Kyd, Assassin's Creed | C Major | 1 | 8B | 82 BPM | ||
| Campaign Intro | Todd Masten | A Minor | 3 | 8A | 107 BPM | ||
| Interminable | Nimetas | G Minor | 4 | 6A | 85 BPM | ||
| Business As Usual | Peter Nashel | G Minor | 0 | 6A | 82 BPM | ||
| True Mind | Jonathan Mellon, Jonathan Mell | A♭ Minor | 2 | 1A | 90 BPM | ||
| Cloud Atlas Opening Title | Tom Tykwer, Johnny Klimek, Reinhold Heil | D Minor | 3 | 7A | 140 BPM | ||
| Godfrey | Marc Streitenfeld | F♯ Minor | 2 | 11A | 157 BPM | ||
| Still Reprise | Hans Zimmer | G Minor | 1 | 6A | 79 BPM | ||
| I Start Out Hearing It In My Head | Peter Nashel | C Minor | 0 | 5A | 73 BPM | ||
| Twin Elms | Justin Bell | E Minor | 1 | 9A | 69 BPM | ||
| Ya Es Demasiado Tarde | Valores Especiales | A Minor | 2 | 8A | 135 BPM | ||
| Moonflower | Jhon Allan, Kesha | C Major | 2 | 8B | 100 BPM | ||
| Back On Track | Peter Nashel | D♭ Major | 2 | 3B | 137 BPM | ||
| Beautiful Blade | Jeff van Dyck | F Minor | 0 | 4A | 59 BPM | ||
| Opening | Craig Armstrong | D Minor | 2 | 7A | 91 BPM |