MULTI MAX's ' "遠い街から" was released on its scheduled release date, December 2, 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in MULTI MAX's "MAX TOOL (Vol.1)" album is number 3 out of 7. On top of that, Japan appears to be the country where this track was created. In terms of popularity, 遠い街から is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of 遠い街から by MULTI MAX to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| DAY BY DAY | Three-U.R.A | C Major | 6 | 8B | 166 BPM | ||
| ロマンシング ヤード - 2015 | Chage | F Major | 9 | 7B | 117 BPM | ||
| ミス・ロンリー・ハート | Shogo Hamada | G Major | 3 | 9B | 135 BPM | ||
| 熱狂 | Kai Band | F Major | 2 | 7B | 126 BPM | ||
| 娘が嫁ぐ朝 | Kazuo Zaitsu | F Major | 6 | 7B | 142 BPM | ||
| Surprise | MULTI MAX | C Major | 6 | 8B | 174 BPM | ||
| Drama no Ending Mitai ni… | Tunnels | C Major | 3 | 8B | 106 BPM | ||
| 名前のない愛でもいい | Takako Shirai | G Minor | 4 | 6A | 109 BPM | ||
| Well, Well, Well | MULTI MAX | F♯ Minor | 9 | 11A | 165 BPM | ||
| 抱きしめて | Kiyoshi Maekawa | E Major | 4 | 12B | 104 BPM | ||
| 愛をください | Mariko Nagai | D Major | 7 | 10B | 116 BPM | ||
| Mr.Liverpool | MULTI MAX | D Major | 7 | 10B | 124 BPM | ||
| 恋にjust can't wait | Yoshiyuki Osawa | C Major | 9 | 8B | 145 BPM | ||
| それは夏の午後 | Yoko Minamino | A Minor | 7 | 8A | 92 BPM | ||
| 回る時計は壊れたけれど・・・ | George Yanagi And Rainywood | F Major | 8 | 7B | 120 BPM | ||
| After Saturday | Noboru Ishida | F♯ Minor | 6 | 11A | 110 BPM | ||
| 愛する勇気 | Yumi Tanimura | F Major | 5 | 7B | 164 BPM | ||
| バイバイもうさよならさ | Kazuo Zaitsu | B Minor | 5 | 10A | 131 BPM | ||
| 月の花まつり | Eigo Kawashima | F♯ Minor | 6 | 11A | 95 BPM | ||
| SHE SAID... - 何も言えなくて...夏 JAYWALK ORIGINAL EDITION 1 Al Version | THE JAYWALK | F♯ Minor | 8 | 11A | 105 BPM | ||
| 二十三夜 | 佐藤 隆 | G Minor | 8 | 6A | 116 BPM | ||
| FOREVER ROAD | 吉川晃司 | C Major | 9 | 8B | 155 BPM | ||
| BLUE STAR ~Crystal Scenery Ⅱ Version~ | Mayo Okamoto | F♯ Minor | 4 | 11A | 69 BPM | ||
| Too Late | 横山 輝一 | B Minor | 10 | 10A | 124 BPM | ||
| あの時のように | Yasuhiro Yamane | F♯ Major | 7 | 2B | 79 BPM |