"Live For What I'd Die For" by Jess Mills had its release date on January 1, 2011. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jess Mills's "Live For What I'd Die For" album is number 1 out of 4. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Live For What I'd Die For's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Live For What I'd Die For by Jess Mills to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fired Up | Friction, K.Tee | B♭ Minor | 9 | 3A | 174 BPM | ||
| No Words | Riya, The Vanguard Project | B Minor | 7 | 10A | 174 BPM | ||
| Meant to Be | Hybrid Minds, Grimm | D♭ Major | 8 | 3B | 87 BPM | ||
| The Calling (feat. Ivy Mairi) | René LaVice, Ivy Mairi | C Major | 8 | 8B | 174 BPM | ||
| Hold it Down | Submerse | A♭ Minor | 8 | 1A | 140 BPM | ||
| The Unknown - Original Mix | Dualistic, NCT | B Major | 9 | 1B | 174 BPM | ||
| Strangers - Matrix & Futurebound Remix | Seven Lions, Myon & Shane 54, Tove Lo | C Minor | 10 | 5A | 174 BPM | ||
| Remember The Future - High Contrast Remix | London Elektricity | D♭ Major | 9 | 3B | 173 BPM | ||
| Strange Heart | Spor | A♭ Major | 8 | 4B | 172 BPM | ||
| Hard Time - S.P.Y Remix | Seinabo Sey | C Minor | 7 | 5A | 175 BPM | ||
| Be Free | Paper Dragon | G Major | 8 | 9B | 174 BPM | ||
| Halcyon | Hybrid Minds, Grimm | D♭ Major | 7 | 3B | 175 BPM | ||
| Driftwood | Nu:Logic, Ed Thomas | D♭ Major | 9 | 3B | 174 BPM | ||
| One Perfect Moment | Philth, Formik | D♭ Major | 6 | 3B | 175 BPM | ||
| Meteorites | London Elektricity, Elsa Esmeralda | D♭ Major | 9 | 3B | 174 BPM | ||
| Where You Should Be | Skream, Sam Frank | B Minor | 7 | 10A | 145 BPM | ||
| Maybe (Fred V & Grafix Remix) | Carmada | A♭ Minor | 8 | 1A | 174 BPM | ||
| Searching | Kove | E♭ Minor | 9 | 2A | 174 BPM | ||
| Make It There | Koven, Folly Rae | B Minor | 8 | 10A | 172 BPM | ||
| Learn To Fly | Metrik, Jan Burton | G Major | 9 | 9B | 174 BPM | ||
| 1000 Soul Songs - Radio Edit | Die, Jenna G | B♭ Minor | 8 | 3A | 173 BPM | ||
| Not Givin' It | MrSausage | G Minor | 8 | 6A | 87 BPM | ||
| Deepest Shame - Andy C Remix | Plan B, Andy C | C Minor | 9 | 5A | 172 BPM | ||
| Overthinking | LSB, Sian Sanderson | D Minor | 7 | 7A | 174 BPM | ||
| Falling Out Of Consciousness | Etherwood, Georgia Yates, Bev Lee Harling | C Major | 7 | 8B | 173 BPM |