Kumar Vishu's ' "Hare Krishna Hare Rama" was released on its scheduled release date, June 9, 2019. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kumar Vishu's "Govind Bolo Hari Gopal Bolo" album is number 3 out of 5. On top of that, India appears to be the country where this track was created. Hare Krishna Hare Rama is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Hare Krishna Hare Rama by Kumar Vishu to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maiya Mori Main Nahi Makhan | Anup Jalota, Chandra Kamal | F♯ Major | 7 | 2B | 85 BPM | ||
| Kripa Milegi Shree Ram Ji Ki Bhakti Karo | Hari Om Sharan | A♭ Major | 6 | 4B | 118 BPM | ||
| Parameshwaraya | Rishi Nityapragya | F Major | 6 | 7B | 118 BPM | ||
| Laxmi Stotram - Siddha Kunjika Stotram | Gayatri Dhareshwar | D Major | 4 | 10B | 76 BPM | ||
| Prabhu Patit Pavan | Arohi Anil Agarkar, Ragreshree Anil Agarkar | E♭ Major | 4 | 5B | 96 BPM | ||
| Shyam Chudi Bechne Aaya (From "Kabhi Ram Banke Kabhi Shyam Banke") | Tripti Shakya | B♭ Minor | 2 | 3A | 84 BPM | ||
| Saraswati Chalisa | Vidhi Sharma | F♯ Minor | 6 | 11A | 168 BPM | ||
| Koi Kahe Govind | Vandana Bhardwaj | F Major | 8 | 7B | 120 BPM | ||
| Gajanand Maharaaj Padhro | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A♭ Major | 8 | 4B | 87 BPM | ||
| Raghupati Raghav Raja Ram Original | Kavita Raam | D Major | 6 | 10B | 80 BPM | ||
| Ooh Palanhare | Jagjit | F♯ Major | 6 | 2B | 74 BPM | ||
| Sharan Main Rakh Lo Ae Mohan | Bijender Chauhan, Kumar Vishu, Kewal Vinayak | F♯ Minor | 7 | 11A | 85 BPM | ||
| Man Chal Re Vrindavan Dham | Devi Chitralekha | D Major | 8 | 10B | 98 BPM | ||
| Karte Ho Tum Kanhaiya | Preet B | A♭ Major | 4 | 4B | 105 BPM | ||
| Bhaj Hare Krishna Jap Hare Krishna | Gufi Paintal | D♭ Major | 3 | 3B | 168 BPM | ||
| Shri Radhe Radhe Boliye | Daler Mehndi | D♭ Major | 8 | 3B | 130 BPM | ||
| Hamare Saath Shri Raghunath | Govind Krsna Das | E♭ Major | 5 | 5B | 178 BPM | ||
| Zari Ki Pagdi Bandhe Sundar Ankho Wala | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 8 | 4B | 88 BPM | ||
| Shree Krishna Govind ( Dhun ) | Falguni Pathak | C Major | 5 | 8B | 90 BPM | ||
| Shiv Shambho Shiv Shambho | Shri Nitin Limaye | A♭ Major | 5 | 4B | 143 BPM | ||
| Ram Aayenge To Angana Sajaungi | Jaya Tiwari | C Major | 3 | 8B | 80 BPM | ||
| Jai Hanuman Gosai | Kumar Vishu, Chandra Kamal | F Major | 4 | 7B | 86 BPM | ||
| Kon Kehta Hai Bhagwan Aate Nhi | Upasana Mehta | E♭ Major | 7 | 5B | 80 BPM | ||
| Tera Pal Pal Bita Jae | Shridhay Shri Mridul krishna shastri ji maharaj | B Major | 6 | 1B | 156 BPM | ||
| Radhe Krishna Radhe Krishna | Sonika Sharma Agarwal | F♯ Minor | 7 | 11A | 198 BPM |