ACIDMATH AI's 'HOW SWEET IT IS - ROCK VERSION' had a release date set for January 11, 2025. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in ACIDMATH's "HOW SWEET IT IS" album is number 11 out of 12. Based on our statistics, HOW SWEET IT IS - ROCK VERSION's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of HOW SWEET IT IS - ROCK VERSION by ACIDMATH AI to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When Is Over | MaCk Chris | E Minor | 9 | 9A | 142 BPM | ||
| HOW SWEET IT IS - BLUES ROCK REMIX | ACIDMATH | F Major | 7 | 7B | 140 BPM | ||
| Imminent Future | Magik UK, Iridian | C Major | 10 | 8B | 145 BPM | ||
| Buried | ALVABEAT, Marie Eidolon | F Minor | 6 | 4A | 125 BPM | ||
| Gamma Goblins - Soundaholix Remix | Hallucinogen, Soundaholix | A Major | 9 | 11B | 148 BPM | ||
| Tokyo Core | Interactive Noise | C Major | 9 | 8B | 145 BPM | ||
| Sounds of Madness - Perception remix | Groundbass, Tijah, Perception | G Major | 9 | 9B | 141 BPM | ||
| INFINITE | THREAT AGENT | B Minor | 9 | 10A | 145 BPM | ||
| Echoes of Obsidian | ACIDMATH | G Major | 5 | 9B | 140 BPM | ||
| Strange Connection | L3AF, Pillotti, Kadum, Hipoxya | D Major | 8 | 10B | 133 BPM | ||
| Hiball | Rinkadink, Cotrax | G Major | 9 | 9B | 145 BPM | ||
| Travelling On Shining Stars | Ovnimoon, Illuzio | F♯ Minor | 10 | 11A | 146 BPM | ||
| Dark | Paul Hadi, Audiobass | E Minor | 9 | 9A | 142 BPM | ||
| Midnight in Paradise | GMS, Dickster | C Major | 10 | 8B | 147 BPM | ||
| Dream in Colours | Volcano On Mars | G Major | 10 | 9B | 145 BPM | ||
| Creatures (Faders Remix) | Alpha Portal, Faders | G Major | 10 | 9B | 142 BPM | ||
| When We Think | Athzira, Tzolkin Project | C Major | 10 | 8B | 160 BPM | ||
| Komogo | Cookies Slayer | B Minor | 5 | 10A | 110 BPM | ||
| El Sonido del Odio | Santos Velez | B♭ Minor | 7 | 3A | 127 BPM | ||
| 420 Time Distortion | Electronic Ghost Machine | D Major | 9 | 10B | 160 BPM | ||
| Brain Signals | Venjent | D♭ Major | 10 | 3B | 150 BPM | ||
| Echoes from the Future - Original Mix | Relativ, Lunatica | A Major | 10 | 11B | 145 BPM | ||
| Cruel God | Mobiius | D♭ Major | 7 | 3B | 100 BPM | ||
| No Sound | Mercy Girl | B Major | 7 | 1B | 122 BPM | ||
| Square Thoughts | Unstable, Karmatrix | G Major | 9 | 9B | 140 BPM |