"Perfect Timing" by access had its release date on 1992. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 10 out of 11 in Fast Access by access. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, Perfect Timing's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Perfect Timing by access is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| DIVE INTO YOUR BODY | TM NETWORK | D♭ Major | 9 | 3B | 131 BPM | ||
| GOLDEN FISH&SILVER FOX | Tatsuya Ishii | F♯ Minor | 10 | 11A | 128 BPM | ||
| TOUGH BOY | Tomcat | F♯ Major | 10 | 2B | 170 BPM | ||
| Find New Way | access | G Major | 8 | 9B | 96 BPM | ||
| Angel | Takashi Utsunomiya | F♯ Minor | 7 | 11A | 115 BPM | ||
| Let me go! | Favorite Blue | A♭ Major | 7 | 4B | 121 BPM | ||
| 5番目の季節 - 2019 Remaster | PINK SAPPHIRE | F♯ Major | 9 | 2B | 123 BPM | ||
| 少年 | Takashi Utsunomiya | D♭ Major | 9 | 3B | 104 BPM | ||
| OVER THE TIMES〜時 (いま)を越えて | MISA | C Major | 1 | 8B | 150 BPM | ||
| Thank you | yaen | B♭ Major | 9 | 6B | 136 BPM | ||
| 23才 | Mariko Nagai | D♭ Minor | 9 | 12A | 152 BPM | ||
| Face the change | Every Little Thing | A♭ Minor | 10 | 1A | 125 BPM | ||
| faraway | day after tomorrow | F♯ Major | 10 | 2B | 128 BPM | ||
| RHYTHM GENERATION | TWO-MIX | B Minor | 10 | 10A | 143 BPM | ||
| ONLY YOU - FROM "GIGS" CASE OF BOOWY | BOØWY | E Major | 10 | 12B | 188 BPM | ||
| アリアドネの糸 | Do As Infinity | G Major | 10 | 9B | 162 BPM | ||
| High-Spirit | day after tomorrow | C Major | 10 | 8B | 120 BPM | ||
| RUNNING to HORIZON | Takashi Utsunomiya | F Minor | 9 | 4A | 124 BPM | ||
| 瑠璃色のため息 | T-BOLAN | A♭ Major | 10 | 4B | 133 BPM | ||
| Virgin Emotion | access | B Minor | 9 | 10A | 128 BPM | ||
| アレ・コレ考えたって・・・ (2019 Remastered) | Maki Ohguro | E♭ Major | 10 | 5B | 128 BPM | ||
| Hate tell a lie | KAHALA TOMOMI | D Major | 9 | 10B | 100 BPM | ||
| Ready Steady Go! | Mariko Nagai | D♭ Minor | 9 | 12A | 152 BPM | ||
| anybody's game | 小松未歩 | F Major | 5 | 7B | 147 BPM | ||
| だめよ!だめよ!だめよ!! | Hekiru Shiina | E♭ Minor | 9 | 2A | 147 BPM |