"Never The Same" by Layal Watfeh had its release date on October 10, 2025. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Layal Watfeh's "Kaan Insaan (Original Motion Picture Soundtrack)" album is number 14 out of 17. Based on our statistics, Never The Same's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Never The Same by Layal Watfeh to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Desert Tears | Senjidema | F Major | 1 | 7B | 138 BPM | ||
| The Story Goes On | Sary Hany | D♭ Major | 8 | 3B | 140 BPM | ||
| Aegean Serenity | GreekyGod | B Minor | 1 | 10A | 100 BPM | ||
| Seven Years later | Layal Watfeh | F Minor | 0 | 4A | 196 BPM | ||
| The Five Wounds | Debbie Wiseman, The Locrian Ensemble Of London | G Minor | 0 | 6A | 122 BPM | ||
| Cinematic Arabian Oud | Rafael Krux | C Major | 4 | 8B | 120 BPM | ||
| Calling on the Hill | Moorland Songs | E Minor | 1 | 9A | 87 BPM | ||
| Temple of Air | Yavani | G Minor | 1 | 6A | 58 BPM | ||
| Welcome to Kyoto | Blades Without Sound | D Major | 2 | 10B | 67 BPM | ||
| ما وراء الطبيعة - التيمات الرئيسية | Khaled Al Kammar | D Minor | 2 | 7A | 88 BPM | ||
| Ter Voghormea Տէր Ողորմեա | Edgar Asmaryan | B Minor | 1 | 10A | 74 BPM | ||
| Halal Nasheed | Malik Tayyab Official | C Minor | 2 | 5A | 75 BPM | ||
| Halime Hatun | Can Atilla | A Minor | 2 | 8A | 90 BPM | ||
| Silêncio que Chora | Melodias Ferreira, Wesley Ferreira | E Minor | 2 | 9A | 120 BPM | ||
| gut and grief | Azula | G Minor | 2 | 6A | 77 BPM | ||
| Shadows Beneath | EBP Zone | A Minor | 2 | 8A | 80 BPM | ||
| Sufi in Desert | Ahmad Mohamadiyan | G Minor | 1 | 6A | 170 BPM | ||
| Taht Al Wisaya_Uncle Rabee | Layal Watfeh | C Minor | 1 | 5A | 82 BPM | ||
| Rouh's Theme (Main Theme) | Khaled Al Kammar | A Minor | 3 | 8A | 80 BPM | ||
| Gülşah Hatun | Can Atilla | A Minor | 2 | 8A | 90 BPM | ||
| Back to clarity | Abe Hathot, Ghassan Biromi | C Minor | 0 | 5A | 140 BPM | ||
| Rainy Athen | GreekyGod | E Major | 0 | 12B | 75 BPM | ||
| Memories | OAIA | D Major | 2 | 10B | 67 BPM | ||
| Silent Reverie | EBP Zone | A Minor | 1 | 8A | 90 BPM | ||
| Until You Arrive | Iftekharul Anam | B Minor | 1 | 10A | 134 BPM |