"Opening Credits" by James Edward Barker, Tim Despic, Sadie Pickering had its release date on December 27, 2019. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "The Courier (Original Motion Picture Soundtrack)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Opening Credits is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Opening Credits by James Edward Barker, Tim Despic, Sadie Pickering having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Committed | James Edward Barker | A Minor | 1 | 8A | 65 BPM | ||
| Iridescent | recur | B♭ Minor | 2 | 3A | 119 BPM | ||
| A Nocturnal Species | Kevin Smuts | E♭ Major | 1 | 5B | 87 BPM | ||
| The Atlas Crew | Will Bates | F♯ Minor | 4 | 11A | 129 BPM | ||
| Forgiveness | The Album Leaf | C Major | 0 | 8B | 78 BPM | ||
| The Night Owl | Federico Jusid | A♭ Major | 0 | 4B | 72 BPM | ||
| Las Patitas Se Enroscan Suavemente | Sundance cariño, Musicoterapia para gatitos, Proyecto Música para Gatos | A Minor | 0 | 8A | 70 BPM | ||
| Muevelo | KJMV9 | C Major | 3 | 8B | 74 BPM | ||
| One Move, One Mistake (From "Eko") | Mujeeb Majeed | G Minor | 1 | 6A | 119 BPM | ||
| Desillusion | CHLOE (Thévenin) | A♭ Major | 0 | 4B | 72 BPM | ||
| Cobolt | Benjamin Wallfisch | D♭ Major | 2 | 3B | 62 BPM | ||
| Ambush | Daniel L.K. Caldwell | C Major | 1 | 8B | 88 BPM | ||
| Taping Up | James Edward Barker, Tim Despic | B♭ Major | 4 | 6B | 86 BPM | ||
| Bus To Margie (Extended Version) | James Edward Barker | D Minor | 3 | 7A | 120 BPM | ||
| La lettre | Pierre Desprats | G Minor | 5 | 6A | 129 BPM | ||
| Damnation | Danny Bensi and Saunder Jurriaans, Chase Deso | D Minor | 1 | 7A | 132 BPM | ||
| Curse of the Mirror | Stephen James Moore, Steve Moore | C Major | 1 | 8B | 57 BPM | ||
| Calm Sleep | Yoga Mind | E♭ Major | 1 | 5B | 86 BPM | ||
| Living Ghosts | David Buckley | G Major | 2 | 9B | 86 BPM | ||
| A Rose-Red City | Lavinia Concia | C Major | 2 | 8B | 120 BPM | ||
| Insomnia | Atli Örvarsson, Kjartan Holm, Sin Fang | A♭ Major | 0 | 4B | 72 BPM | ||
| Impetus | Scott Buckley | A♭ Major | 0 | 4B | 72 BPM | ||
| Deep State | Laura Karpman | F♯ Minor | 2 | 11A | 123 BPM | ||
| Are We Really So Different? | David Martijn | B♭ Minor | 1 | 3A | 200 BPM | ||
| Pack of Strays | Breton Vivian | A Major | 1 | 11B | 91 BPM |