Slim Whitman's 'Here It All Began' had a release date set for January 1, 2009. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 85 in the song's album "The Essential Slim Whitman". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Here It All Began is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Here It All Began by Slim Whitman having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Happy Anniversary | Slim Whitman | E Major | 4 | 12B | 75 BPM | ||
| Answer Me My Love | Ray Peterson | D♭ Minor | 2 | 12A | 131 BPM | ||
| Fort the Record | Musical London to Stockholm | C Major | 4 | 8B | 112 BPM | ||
| Four And Twenty Hours (Seven Days Of Every Week I Love You) | The Fortunes | C Major | 5 | 8B | 118 BPM | ||
| All Kinds Of Everything | Slim Whitman | C Major | 2 | 8B | 106 BPM | ||
| Lonely in the Moonlight | Time. | G Minor | 1 | 6A | 91 BPM | ||
| Mr. Kelly | Rod McKuen | A Minor | 7 | 8A | 105 BPM | ||
| Soft, Sweet, Warm Wonderful You | George Morgan | G Major | 3 | 9B | 89 BPM | ||
| I'LL NEVER FALL IN LOVE AGAIN | Johnnie Ray | D Major | 8 | 10B | 101 BPM | ||
| The Old Lamplighter | Slim Whitman | F Major | 3 | 7B | 95 BPM | ||
| I Made Her That Way | Crispian St. Peters | B Major | 4 | 1B | 135 BPM | ||
| Fading Light | Time. | G Minor | 1 | 6A | 91 BPM | ||
| My Way | Kathy Kirby | A Major | 3 | 11B | 88 BPM | ||
| So You're In Love | Bobby Vee | F Major | 2 | 7B | 100 BPM | ||
| It Is No Secret (What God Can Do) | Anita Bryant | E♭ Major | 1 | 5B | 113 BPM | ||
| Simply Being You | Isla Grant | E♭ Major | 3 | 5B | 177 BPM | ||
| Oh! What It Seem to Be | The Castells | E♭ Major | 3 | 5B | 113 BPM | ||
| The Old Fashioned Way | Ken Dodd | A♭ Major | 2 | 4B | 116 BPM | ||
| To Live Without Your Love | Nana Mouskouri | E Major | 3 | 12B | 100 BPM | ||
| To Be Loved | Malcolm Vaughan | E Major | 3 | 12B | 104 BPM | ||
| Who Am I | Adam Faith | F Major | 5 | 7B | 197 BPM | ||
| That's Just Too Much | Sue Thompson | E Major | 5 | 12B | 99 BPM | ||
| We Will Make Love | Russ Hamilton | B Minor | 2 | 10A | 132 BPM | ||
| Welcome Back To My World | George Morgan | B♭ Major | 3 | 6B | 76 BPM | ||
| Spanish Nights and You | Virginia Lee | G Major | 4 | 9B | 116 BPM |