Coro Ntra. Sra. del Rocío de Almonte's ' "Una Yegüa Marismeña" was released on its scheduled release date, 1998. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Coro Ntra. Sra. del Rocío de Almonte's "Hasta Tu Nombre Me Dieron" album is number 7 out of 10. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Una Yegüa Marismeña is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Una Yegüa Marismeña by Coro Ntra. Sra. del Rocío de Almonte to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ella Está en Tus Manos | Coro Ntra. Sra. del Rocío de Almonte | B♭ Major | 2 | 6B | 100 BPM | ||
| Pasito a Paso al Rocio | Menta y Romero | A Minor | 4 | 8A | 144 BPM | ||
| Estirpe Campera | Sergio "El Duende" | F Major | 4 | 7B | 130 BPM | ||
| Cortando el agua | José Luis Pérez-Vera | G Major | 5 | 9B | 140 BPM | ||
| Mi Rocio | Así te Reza tu Pueblo | G Minor | 5 | 6A | 153 BPM | ||
| Tu Amor Amargo | Lubricán | G Minor | 7 | 6A | 150 BPM | ||
| Con Tus Manos Me Quedo | Coro Ntra. Sra. del Rocío de Almonte | D♭ Major | 5 | 3B | 150 BPM | ||
| Pero Llovia | Lubricán | F Minor | 6 | 4A | 144 BPM | ||
| Cuando Vuelva a Verte (Sevillanas Version) | Ecos De Las Marismas | G Major | 7 | 9B | 99 BPM | ||
| Curro Jiménez el Bandolero | Voces de Marisma | C Major | 5 | 8B | 144 BPM | ||
| Venimos de la Marisma | Coro Ntra. Sra. del Rocío de Almonte | F Minor | 5 | 4A | 149 BPM | ||
| Rociero a Mi Manera | El Mani, Didi Boado | G Major | 6 | 9B | 149 BPM | ||
| Desde Huelva un Te Quiero | Manguara | F Major | 4 | 7B | 145 BPM | ||
| Triana Pasa por Gato / Me Voy al Rocío / Quien Dice Gines / Levanta el Campo | Una noche del camino | A Minor | 4 | 8A | 139 BPM | ||
| Ni Lágrimas le Quedan | Malandar | D♭ Major | 7 | 3B | 153 BPM | ||
| Mi Orgullo Es Ser Marismeño | Antonio de Huelva, Bohemia, Juani "Cantores", Joaquín Ruiz | D♭ Major | 7 | 3B | 149 BPM | ||
| Y te busqué | Ecos De Las Marismas | C Major | 4 | 8B | 72 BPM | ||
| A Querer | Salmarina | B Major | 4 | 1B | 169 BPM | ||
| Pa Verla a Ella | Coro de la Hermandad de Ntra. Sra. del Rocío de SEVILLA | C Major | 7 | 8B | 111 BPM | ||
| Reina En La Marisma | Melhaza | G Minor | 5 | 6A | 145 BPM | ||
| Mi abuela a mí me contaba | Senderos, Menta y Romero, Lubrican | G Minor | 5 | 6A | 153 BPM | ||
| Se Abrieron los Cielos | Coro De La Hermandad Divina Pastora De Cantillana | G Minor | 5 | 6A | 153 BPM | ||
| Cállate | Ecos De Las Marismas | A♭ Major | 8 | 4B | 103 BPM | ||
| La Espera | Lubricán | C Major | 6 | 8B | 145 BPM | ||
| Hace Más de 50 Años | Coro De La Hermandad Divina Pastora De Cantillana | G Minor | 5 | 6A | 153 BPM |