Half Man Half Biscuit's ' "Architecture, Morality, Ted and Alice" was released on its scheduled release date, 1986. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 17 in Back in the D.H.S.S. by Half Man Half Biscuit. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Architecture, Morality, Ted and Alice is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Architecture, Morality, Ted and Alice by Half Man Half Biscuit is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ambition | Subway Sect | G Major | 8 | 9B | 151 BPM | ||
| Babylon's Burning | The Ruts | A Minor | 9 | 8A | 168 BPM | ||
| He's Frank (Slight Return) | The Monochrome Set | G Major | 9 | 9B | 158 BPM | ||
| I Don't Want to Be Nice | John Cooper Clarke | G Major | 7 | 9B | 138 BPM | ||
| What a Way to End It All | Deaf School | A Major | 7 | 11B | 201 BPM | ||
| Dad's Corner | Sleaford Mods | A Major | 7 | 11B | 151 BPM | ||
| Daisy Chain | The Frank And Walters | D Major | 9 | 10B | 129 BPM | ||
| When Lucy's Down | Kingmaker | B Minor | 6 | 10A | 120 BPM | ||
| Horror Clowns Are Dickheads | Half Man Half Biscuit | G Major | 7 | 9B | 95 BPM | ||
| Beware Of The Flowers ('Cause I'm Sure They're Going To Get You, Yeh) | Wild Willy Barrett, John Otway | D Major | 6 | 10B | 111 BPM | ||
| Eau Water | Cud | B Minor | 10 | 10A | 134 BPM | ||
| Ironmasters | The Men They Couldn't Hang | D Major | 9 | 10B | 142 BPM | ||
| Faded Glamour | Animals That Swim | C Major | 6 | 8B | 134 BPM | ||
| For One Night Only | King Creosote | E Major | 9 | 12B | 140 BPM | ||
| Bring It Down | Redskins | A Minor | 9 | 8A | 109 BPM | ||
| Frans Hals | McCarthy | G Major | 7 | 9B | 162 BPM | ||
| This Is Not Who We Were | Mull Historical Society, Mixed By Colin Macintyre And Brian Macneil | C Major | 9 | 8B | 148 BPM | ||
| She's Attracted To | Young Knives | D Major | 9 | 10B | 164 BPM | ||
| You Talk Too Much | Sultans Of Ping F.C. | A Major | 8 | 11B | 198 BPM | ||
| Depressed Beyond Tablets | Half Man Half Biscuit | A Minor | 7 | 8A | 130 BPM | ||
| Shit Arm, Bad Tattoo | Half Man Half Biscuit | A♭ Major | 9 | 4B | 124 BPM | ||
| Born To A Family | The Go-Betweens | B♭ Major | 7 | 6B | 93 BPM | ||
| The Woodcutter Song | Nun Attax | F♯ Minor | 7 | 11A | 132 BPM | ||
| Fuckin' 'ell It's Fred Titmus | Half Man Half Biscuit | A♭ Major | 9 | 4B | 124 BPM | ||
| Millionaire | Mekons | A Major | 8 | 11B | 132 BPM |