"Bruno i Bianka (feat. Leszek Możdżer)" by Daniel Bloom, Leszek Możdżer had its release date on September 26, 2025. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zamach na papieża (feat. Leszek Możdżer) [Original Motion Picture Soundtrack] by Daniel Bloom. The song's track number on the album is #4 out of 33 tracks. Based on our data, Poland was the country where this track was produced or recorded. Bruno i Bianka (feat. Leszek Możdżer) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bruno i Bianka (feat. Leszek Możdżer) by Daniel Bloom, Leszek Możdżer has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bruno i Bianka (feat. Leszek Możdżer) being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Civilian Casualties | Daniel Herskedal, Eyolf Dale, Helge Andreas Norbakken | G Minor | 2 | 6A | 89 BPM | ||
| Shirma | Omar Sosa | F Major | 1 | 7B | 71 BPM | ||
| Auster | VLIEGWERK | F♯ Minor | 3 | 11A | 118 BPM | ||
| Jazz Politics | LieBerTrio | F Major | 1 | 7B | 109 BPM | ||
| Haunted | Sophie Alour | D Major | 1 | 10B | 108 BPM | ||
| Time Remembered | Mulo Francel, Tim Collins | G Minor | 0 | 6A | 75 BPM | ||
| Smooth Chemistry | Gerhard Daum, Anika Nilles | F Minor | 3 | 4A | 106 BPM | ||
| Etudes, Op. 10: No. 6 in E-Flat Major, Etude | Leszek Możdżer | A♭ Minor | 0 | 1A | 83 BPM | ||
| Close to the Water | Adèle Viret, Wajdi Riahi, Pierre Hurty, Oscar Viret | F Minor | 2 | 4A | 130 BPM | ||
| Sarajevo Blues | Henri Texier, Sébastien Texier, Hermon Mehari, Emmanuel Borghi, Gautier Garrigue | G Major | 5 | 9B | 102 BPM | ||
| Nocturnal Affair | Entropy Trio | C Minor | 1 | 5A | 169 BPM | ||
| Contredanse in G-Flat Minor, Posth. | Leszek Możdżer | B♭ Major | 0 | 6B | 209 BPM | ||
| Estancia | Omar Sosa | D Major | 0 | 10B | 87 BPM | ||
| Crepuscule | Tom Sochas, Thodoris Ziarkas, Filippo Galli | C Major | 1 | 8B | 118 BPM | ||
| Eilat | Leszek Możdżer, Lars Danielsson, Zohar Fresco | D Major | 3 | 10B | 93 BPM | ||
| Roma | Michel Godard, Steve Swallow | A♭ Major | 1 | 4B | 76 BPM | ||
| When Work Became Everything | Jazz & Co. | F Minor | 1 | 4A | 71 BPM | ||
| In The Mountains | Espen Eriksen Trio, Andy Sheppard | D♭ Major | 4 | 3B | 118 BPM | ||
| Zamknięty teren (feat. Leszek Możdżer) | Daniel Bloom, Leszek Możdżer | F Minor | 1 | 4A | 110 BPM | ||
| Zawsze na końcu zostaje sumienie (feat. Leszek Możdżer) | Daniel Bloom, Leszek Możdżer | E♭ Major | 1 | 5B | 66 BPM | ||
| Urtext | David Preston, Kit Downes, Sebastian Rochford, Kevin Glasgow | E Minor | 3 | 9A | 83 BPM | ||
| AT PEACE | Olovson | C Minor | 1 | 5A | 111 BPM | ||
| Für Flopsen | Anton Goudsmit | C Minor | 1 | 5A | 107 BPM | ||
| Cherry | Krzysztof Komeda, Leszek Możdżer | C Minor | 3 | 5A | 112 BPM | ||
| Czarodziejska góra | Mateusz Pałka Trio | A Minor | 1 | 8A | 121 BPM |