Rajendra Kotwal, Naresh Dodhiyar's ' "Popatda Maiyar Re Sodine-Sori Samcheli" was released on its scheduled release date, January 27, 2025. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Popatda Maiyar Re Sodine-Sori Samcheli's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Sori Samcheli". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. In terms of popularity, Popatda Maiyar Re Sodine-Sori Samcheli is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Popatda Maiyar Re Sodine-Sori Samcheli by Rajendra Kotwal, Naresh Dodhiyar having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rode Mati Vo Ladi Rode Mati | Sanjay Mandloi, KRISHNA MUNIYA, Sapna Pancholi | B♭ Minor | 9 | 3A | 100 BPM | ||
| Fhunda Wala Rumal Herale | Hashiram Alawe, Gangaram Jamre | B♭ Minor | 9 | 3A | 100 BPM | ||
| Nilo Pilo Dagilo Part 1 | Anil Piplaj, Sunil Mavi Jays | E Minor | 9 | 9A | 140 BPM | ||
| Tara Lada Ke Ghar Mekaji Vo,Pt.2 | Rakesh Dudwe | B♭ Minor | 9 | 3A | 100 BPM | ||
| Naivtali Part 1 | Anil Piplaj, Sapna Pancholi | G Major | 9 | 9B | 140 BPM | ||
| Rahul Bhuriya Mashup | RAHUL BHURIYA | F♯ Minor | 6 | 11A | 186 BPM | ||
| GOLAPIR MAI 2 | Mohan Baskey, Purnima Mandi | C Major | 9 | 8B | 155 BPM | ||
| Tu To Lagi Jeli Re | Jasvant Patel | F♯ Major | 8 | 2B | 133 BPM | ||
| Kach Valo Banglo | Rahul Bhuriya, Dileep Dhandar | E Minor | 9 | 9A | 127 BPM | ||
| Bhayo Ne Bhabhi Bajaya | Vk Bhuriya, Bharat HD | D♭ Minor | 8 | 12A | 156 BPM | ||
| Kaido Ne Kyare Avosho DJ Remix | Pankaj Mistry, Jackie Gajjar | A♭ Minor | 10 | 1A | 68 BPM | ||
| पतला पतला होठ रसीला मेवाती | Aadil Singer Mewati, SAHIL JATOLIYA | C Major | 10 | 8B | 120 BPM | ||
| Badvo, Pt. 4 | Vijayraj Damor, Vk Bhuriya | F Major | 9 | 7B | 128 BPM | ||
| Mara Gomane Ogane Boredi | Ishwar Thakor | C Major | 7 | 8B | 50 BPM | ||
| Tari Vani Par Thi Jani Lidhu-Hath Ma Laal Kotar | Mahesh Nargawa | A Minor | 8 | 8A | 170 BPM | ||
| Tu Te China Itam Vo Juwanay Pt2 | Anil Piplaj | F Major | 9 | 7B | 140 BPM | ||
| Kagaliyo | Sugan Bucheti | A Major | 9 | 11B | 100 BPM | ||
| Tanik Tanik Part 2 | Kishan Rathva | F♯ Major | 8 | 2B | 132 BPM | ||
| Janudi Rade Sanu Sanu-Kaka Tari Kaki Bagadiyu | Narvat Rathva, Vidur Rathva | F Minor | 9 | 4A | 134 BPM | ||
| Nathi Tu Yaad Mari Karevo | Ghanshyam Rathva | F♯ Major | 10 | 2B | 144 BPM | ||
| Janudi Nache Timli Na Tale | Narvat Rathva | F♯ Minor | 9 | 11A | 132 BPM | ||
| Majnu Part 2 | Rakesh Raval | C Major | 10 | 8B | 130 BPM | ||
| Ghayal Tari Vat Jove | Vishnu Bhil | A Minor | 7 | 8A | 147 BPM | ||
| Darudiyo | V K Bhuriya | B♭ Major | 4 | 6B | 78 BPM | ||
| Ghunghto Ghali Tu Paranva Bethi, Sanedo Part 13 | Vk Bhuriya | F Major | 10 | 7B | 116 BPM |