Peter and the Wolf - A Musical Tale for Children Op. 67 [Rushton version]: And now...imagine the triumphant procession! by Sergei Prokofiev, Willie Rushton/London Philharmonic Orchestra/David Nolan/Sian Edwards, Sian Edwards, London Philharmonic Orchestra Song Details

"Peter and the Wolf - A Musical Tale for Children Op. 67 [Rushton version]: And now...imagine the triumphant procession!" by Sergei Prokofiev, Willie Rushton/London Philharmonic Orchestra/David Nolan/Sian Edwards, Sian Edwards, London Philharmonic Orchestra had its release date on March 26, 2012. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 25 out of 30 in Carnival Of The Animals by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Peter and the Wolf - A Musical Tale for Children Op. 67 [Rushton version]: And now...imagine the triumphant procession! is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

The tempo marking of Peter and the Wolf - A Musical Tale for Children Op. 67 [Rushton version]: And now...imagine the triumphant procession! by Sergei Prokofiev, Willie Rushton/London Philharmonic Orchestra/David Nolan/Sian Edwards, Sian Edwards, London Philharmonic Orchestra is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -23.295 dB
Acousticness: 94%
Danceability: 41%
Energy: 6%
Instrumentalness: 14%
Liveness: 11%
Loudness: 61%
Speechiness: 6%
Valence: 17%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Firebird Suite (1919 Version): Finale - 2017 Remastered Version	Igor Stravinsky, Leonard Bernstein, New York Philharmonic	E Major	3	12B	78 BPM
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante	Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek	D Major	0	10B	114 BPM
Eugene Onegin - Waltz	Symphony Orchestra of the Russian State TV & Radio Centre	A♭ Major	1	4B	118 BPM
Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	E Major	1	12B	79 BPM
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto)	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
The Tale of Tsar Saltan: Flight of the Bumblebee	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	G Major	1	9B	80 BPM
Die Flamme von Paris (Flames of Paris), Act IV: Coda [arr. March]	Boris Vladimirovich Asafiev, Sofia National Opera Orchestra, Boris Spassov	C Major	4	8B	135 BPM
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	D♭ Major	1	3B	92 BPM
Toccata and Fugue in D minor	Johann Sebastian Bach, William McVicker	D Minor	0	7A	72 BPM
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	G Major	1	9B	59 BPM
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace	Antonín Dvořák, New York Philharmonic, Alan Gilbert	C Major	1	8B	121 BPM
War and Peace: Waltz	Sergei Prokofiev, Yuri Simonov, Moscow Philharmonic Orchestra	G Major	1	9B	177 BPM
Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244	Franz Liszt, Roberto Szidon	D♭ Major	3	3B	102 BPM
Dance of the goblins	Razvan Stoica	C Major	4	8B	177 BPM
Prince Igor: Polovtsian Dances (Version for Chorus)	Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	A Major	2	11B	110 BPM
The Planets, Op. 32: I. Mars, the Bringer of War	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	5	4B	149 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Finale	Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung	E Major	2	12B	78 BPM
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls	Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra	B♭ Major	3	6B	115 BPM
Die Fledermaus: Overture	Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber	G Major	1	9B	100 BPM
The Rite of Spring, K15, Pt. 2: XIV. Sacrificial Dance	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	A Minor	5	8A	127 BPM
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls	Igor Stravinsky, Teodor Currentzis, musicAeterna	B♭ Major	3	6B	120 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Polovetsian Dances from Prince Igor: Moderato alla breve	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	2	11B	108 BPM
The Sleeping Beauty, Op. 66, Prologue: Introduction. The Lilac Fairy	Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Antal Doráti	E Major	2	12B	139 BPM
Samson et Dalila, Op. 47: Bacchanale	Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic	D Minor	2	7A	145 BPM