"Crossing The Divide" by Patrick O'Hearn had its release date on January 1, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Patrick O'Hearn's "Metaphor" album is number 2 out of 9. Crossing The Divide is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Crossing The Divide by Patrick O'Hearn to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oblique Formations | Patrick O'Hearn | A♭ Major | 1 | 4B | 101 BPM | ||
| At One with You | Mars Lasar | A♭ Major | 3 | 4B | 88 BPM | ||
| Temporal | Project Divinity | G Major | 1 | 9B | 72 BPM | ||
| Silent Nostalgia | Erik Wøllo | A Minor | 1 | 8A | 85 BPM | ||
| Eluvia | Spa Sound Lab | D♭ Major | 1 | 3B | 114 BPM | ||
| Glint of a Gleaming Shore (Home) | DIM | D Minor | 0 | 7A | 60 BPM | ||
| Observation | Frank Steiner Jr. | C Major | 1 | 8B | 140 BPM | ||
| A Lovely Place to Be | Patrick O'Hearn | E♭ Minor | 0 | 2A | 90 BPM | ||
| Beneath the Radiant Stars | Meg Bowles | B♭ Minor | 1 | 3A | 54 BPM | ||
| Clear Night | Jennifer DeFrayne | D♭ Major | 1 | 3B | 65 BPM | ||
| Future Is Ahead | Jonathan Mellon, Jonathan Mell | G Major | 3 | 9B | 110 BPM | ||
| Stargazed | August Wilhelmsson | A Minor | 1 | 8A | 84 BPM | ||
| Mindscapes Vol.6 - Presence | Mars Lasar | F Minor | 0 | 4A | 139 BPM | ||
| Be Near | Ryan Farish | C Major | 1 | 8B | 178 BPM | ||
| Escape Into the Storm | Aaron Marshall | F Major | 1 | 7B | 120 BPM | ||
| Polaroid | Chequerboard | A Major | 1 | 11B | 114 BPM | ||
| The Calm Current | real silent bloom | F Major | 1 | 7B | 122 BPM | ||
| Delicate | Joey Fehrenbach | F Minor | 4 | 4A | 160 BPM | ||
| Crossing the Great Water | Chronotope Project | G Minor | 3 | 6A | 156 BPM | ||
| M-Theory | Jonn Serrie | A♭ Minor | 3 | 1A | 113 BPM | ||
| Mystery Of Falcon Cove | John Serrie, Gary Stroutsos | G Major | 2 | 9B | 156 BPM | ||
| The Immense Window | Darshan Ambient | B♭ Major | 1 | 6B | 120 BPM | ||
| Beyond the Far Shore | Meg Bowles | B♭ Minor | 1 | 3A | 74 BPM | ||
| Slow Aura Waves | Black Dorfix | E♭ Minor | 2 | 2A | 96 BPM | ||
| Winter Comes to Marin | Jon Mark | D♭ Major | 1 | 3B | 74 BPM |