Way Too Good
Brian Scott Brown, William Jay Stein, Michael Rosen
Hip Hop Workout: Intense Aggressive Workout Beats Vol. 1
1:21 September 7, 2019
BPM
112
Key
F♯ Minor
Camelot
11A

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Way Too Good by Brian Scott Brown, William Jay Stein, Michael Rosen Song Details

Brian Scott Brown, William Jay Stein, Michael Rosen's ' "Way Too Good" was released on its scheduled release date, September 7, 2019. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Hip Hop Workout: Intense Aggressive Workout Beats Vol. 1" album is number 19 out of 20. In terms of popularity, Way Too Good is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

We consider the tempo marking of Way Too Good by Brian Scott Brown, William Jay Stein, Michael Rosen to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Music Key

F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-5.576 dB
Acousticness
0%
Danceability
83%
Energy
97%
Instrumentalness
88%
Liveness
9%
Loudness
91%
Speechiness
4%
Valence
60%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records