Samuel Sebastian Wesley, John Robinson's 'Larghetto in F Minor' had a release date set for January 3, 2009. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "S.S. Wesley: The Complete Organ Works". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Larghetto in F Minor is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Larghetto in F Minor by Samuel Sebastian Wesley, John Robinson having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Twelve Compositions for Organ: No. 8, Interlude | Frank Kaman | F♯ Minor | 1 | 11A | 127 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Handel: Israel in Egypt, HWV 54: Overture. Lamentations of the Israelites for the Death of Joseph | George Frideric Handel, John Eliot Gardiner, Monteverdi Orchestra | G Minor | 0 | 6A | 79 BPM | ||
| Violin Sonata in E Minor, P. 85: III. Allemanda. Allegro moderato (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 77 BPM | ||
| Saint-Saëns: The Swan (Le Cygne) | Conrad Zwicky | G Major | 0 | 9B | 69 BPM | ||
| Praeambulum in D | Heinrich Scheidemann, Bart Jacobs | D Minor | 1 | 7A | 71 BPM | ||
| The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Musica Alchemica, Lina Tur Bonet | D♭ Major | 1 | 3B | 96 BPM | ||
| Overture for 2 Violins and B.C. in A Major, Op. 13,5: II. Allegro | Jean-Marie Leclair, Musica Alta Ripa | F♯ Minor | 2 | 11A | 75 BPM | ||
| Choral song | Samuel Sebastian Wesley, Gedymin Grubba | C Major | 3 | 8B | 101 BPM | ||
| Praeludium in E Minor: "Little" | Nicolaus Bruhns, Andrej Harinek | G Major | 1 | 9B | 70 BPM | ||
| Wees stil voor het aangezicht van God - Instrumental | Evert van de Veen | G Major | 0 | 9B | 69 BPM | ||
| Le Triomphe de l'amour et l'hymen idylle, parodiée, En musique: Rondeau | Mademoiselle de Fumeron, Sophie de Bardonnèche, Justin Taylor | F♯ Minor | 1 | 11A | 87 BPM | ||
| O Father, All-Creating | Samuel Sebastian Wesley, John Ellerton | D Major | 2 | 10B | 106 BPM | ||
| Christus: VI. Choral "Er nimmt auf seinen Rücken" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | D Minor | 2 | 7A | 121 BPM | ||
| Pièces de clavecin, Suite in E, RCT 2: La Villageoise. Rondeau | Jean-Philippe Rameau, Constance Luzzati | G Minor | 1 | 6A | 82 BPM | ||
| Vierne: 24 Pièces de fantaisie, Suite No. 4, Op. 55: IV. Naïades | Louis Vierne, Vincent Dubois | C Major | 3 | 8B | 71 BPM | ||
| Orchestral Set n.2: Watermarks (I) | Aurelio Scotto | G Minor | 2 | 6A | 92 BPM | ||
| Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
| Organ Concerto in G Minor, FP 93: V. Tres calme. Lent | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | F Major | 0 | 7B | 169 BPM | ||
| Piper Hall | Mikko Finneman | B Minor | 1 | 10A | 84 BPM | ||
| Prélude et fugue | Claude Balbastre, Pauline Koundouno-Chabert | C Minor | 4 | 5A | 143 BPM | ||
| Vierne: 24 Pièces de fantaisie, Suite No. 3, Op. 54: VI. Carillon de Westminster | Louis Vierne, Vincent Dubois | C Major | 3 | 8B | 71 BPM | ||
| Premier livre d'orgue, Suite du premier ton: No. 7, Dialogue sur les grands jeux | Louis-Nicolas Clérambault, Michel Chapuis | G Major | 0 | 9B | 66 BPM | ||
| 降誕祭「クリスマス第3ミサ」 - 入祭唱「嬰児われらのために」 | sakuro kojima | G Major | 0 | 9B | 69 BPM | ||
| Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |