"ギターのための12の歌:ミッシェル" by ジョン・レノン, ポール・マッカートニー, Shin-ichi Fukuda had its release date on 1997. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. ギターのための12の歌:ミッシェル's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in イン・メモリアム〜武満徹ギター作品集, so we believe that "ギターのための12の歌:ミッシェル" is a single. In terms of popularity, ギターのための12の歌:ミッシェル is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ギターのための12の歌:ミッシェル by ジョン・レノン, ポール・マッカートニー, Shin-ichi Fukuda is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bardenklange, Op. 13: Lied ohne Worte (Song without Words) | Johann Kaspar Mertz, Adam Holzman | A Major | 0 | 11B | 86 BPM | ||
| Suite No. 1 in D Major (Orig. G Major), BWV 1007: II. Allemande | Michael Nicolella | D Major | 2 | 10B | 68 BPM | ||
| Sonata Clásica: 4. Allegro | Manuel Ponce, Andrés Segovia | A Major | 1 | 11B | 126 BPM | ||
| Sonidos de aquel dia (Sounds from That Day) | Quique Sinesi, Victor Villadangos | D Major | 0 | 10B | 99 BPM | ||
| Rossignol: II. Passacaglia | Dušan Bogdanović, Daniela Rossi | D Major | 0 | 10B | 101 BPM | ||
| Danza Venezolana (Arr. N. González for Guitar) | Blas María Tovar, Nirse Gonzalez | F Major | 1 | 7B | 82 BPM | ||
| Homenaje a Escocia (Variaciones sobre un tema escocés) | Antonio Chover Salom, Carlos Blanco Ruiz | C Major | 1 | 8B | 140 BPM | ||
| Imágenes de Yucatán: II. Paseo Montejo | Julio Cesár Oliva, Cecilio Perera | A Minor | 0 | 8A | 102 BPM | ||
| Fernando Sor : Andantino en mi mayor | Renata Tarragó | F Major | 1 | 7B | 88 BPM | ||
| Ojos brujos (Bewitching Eyes) | Leo Brouwer, Marco Tamayo | A Minor | 0 | 8A | 111 BPM | ||
| Sonata, Op. 61: III. Allegro vivo | Joaquín Turina, Elena Ortega | G Major | 2 | 9B | 97 BPM | ||
| Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Guitar by Borbála Seres): II. Allemande | Borbála Seres | D Major | 2 | 10B | 141 BPM | ||
| Carcassi Op.60 N.9 Allegretto Grazioso | Matteo Carcassi, Lucio Matarazzo | A Major | 4 | 11B | 99 BPM | ||
| Guitar Sonata No. 1: Andante | Carlos Guastavino, Victor Villadangos | E♭ Major | 0 | 5B | 79 BPM | ||
| 24 Progressive Lessons, Op. 31: No. 2, Andante | Fernando Sor, Enea Leone | C Major | 0 | 8B | 73 BPM | ||
| La Soledad | Samuel Diz, Avelina Valladares | G Major | 9 | 9B | 136 BPM | ||
| Jazz Sonatina: II. Adagio Espressivo | Thibault Cauvin | E Minor | 0 | 9A | 70 BPM | ||
| Nirvana | Kindred spirits | G Minor | 1 | 6A | 98 BPM | ||
| Guitar Sonata No. 1 in D Major: I. Allegro moderato | Celil Refik Kaya, Bokyung Byun | D Major | 1 | 10B | 122 BPM | ||
| The Mad Lover: V. Aire. Ground | John Eccles, John Eccless, Pierluigi Colangelo | F Minor | 2 | 4A | 119 BPM | ||
| Album de la Juventud, Op. 68: Nº 6 Pobre Huérfano | Robert Schumann, Andrés Segovia | D Minor | 0 | 7A | 93 BPM | ||
| コンポステラ組曲 / V. 歌 | Federico Mompou, 山下 和仁 | A Major | 3 | 11B | 86 BPM | ||
| Mirándote | Luis Sierra Guitarrista | D Major | 1 | 10B | 128 BPM | ||
| Papelon | Antonio Lauro, Adam Holzman | D Major | 1 | 10B | 78 BPM | ||
| Elegia por la muerte de un tanguero (Elegy for the Death of a Tango Player): I. Confuseta | Maximo Diego Pujol, Ricardo Cobo | E Minor | 1 | 9A | 154 BPM |