"Critical Method" by STAKE had its release date on November 1, 2019. This song is quite longer than the average track at 4 minutes and 33 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The song is number 1 out of 8 in Critical Method by STAKE. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Critical Method is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Critical Method by STAKE is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Halcyon Gilt | Tuskar | C Minor | 8 | 5A | 143 BPM | ||
| I Ask With My Mouth, I'll Take With My Fist | Doodseskader | C Major | 7 | 8B | 140 BPM | ||
| Exile of Our Marrow | Steak Number Eight | D Major | 9 | 10B | 130 BPM | ||
| Sepulchre | Obscure Sphinx | C Major | 9 | 8B | 108 BPM | ||
| Nastiez | Obscure Sphinx | B Major | 9 | 1B | 110 BPM | ||
| Force Fed | Employed To Serve | D♭ Major | 10 | 3B | 169 BPM | ||
| Keep On Going | SONS | A Major | 10 | 11B | 113 BPM | ||
| Kennedy | Ronker | C Major | 2 | 8B | 113 BPM | ||
| We Count so We Don't Have to Listen | Birds in Row | A Minor | 9 | 8A | 184 BPM | ||
| Parpaing | Igorrr, George "Corpsegrinder" Fisher | B♭ Minor | 10 | 3A | 95 BPM | ||
| Kabuddah | Psychonaut | E♭ Major | 9 | 5B | 120 BPM | ||
| White Fruit | CRACKUPS | D♭ Minor | 9 | 12A | 130 BPM | ||
| HIIT | Ronker | C Major | 2 | 8B | 113 BPM | ||
| Lonely Lyle | Big Business | F♯ Major | 7 | 2B | 85 BPM | ||
| Juncture | Hippotraktor | B Minor | 9 | 10A | 122 BPM | ||
| Braille | Latitudes | G Minor | 9 | 6A | 135 BPM | ||
| All We Love We Leave Behind | Converge | A♭ Major | 10 | 4B | 147 BPM | ||
| Tethers | LLNN | D Major | 7 | 10B | 73 BPM | ||
| In Spirit in Spite | Absent in Body | C Major | 5 | 8B | 100 BPM | ||
| Tempest Rising | Cobra the Impaler | E♭ Minor | 10 | 2A | 130 BPM | ||
| .Razoreater. | Amenra | E Major | 6 | 12B | 170 BPM | ||
| Waiting for the Bodies Down the River Floating | Obscure Sphinx | D Major | 8 | 10B | 107 BPM | ||
| Eternal Forward Motion | Employed To Serve | D♭ Major | 10 | 3B | 169 BPM | ||
| Mélody | Raketkanon | G Major | 4 | 9B | 125 BPM | ||
| Rise Or Die | Born From Pain | D♭ Major | 9 | 3B | 91 BPM |