"Gloria et honore" by Francisco Guerrero, A5 Vocal Ensemble had its release date on December 25, 2024. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Francisco Guerrero, A5 Vocal Ensemble's "Inaudita Musica - Francisco Guerrero" album is number 4 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, Gloria et honore's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gloria et honore by Francisco Guerrero, A5 Vocal Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vespro della Beata Vergine, SV 206: Esurientes | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | B♭ Major | 1 | 6B | 91 BPM | ||
| Omnes de Saba venient | Jacobus Gallus, Apollo5 | B♭ Major | 3 | 6B | 142 BPM | ||
| Palestrina: Missa Papae Marcelli - 3f. Et Ascendit in Caelum | The Tallis Scholars, Peter Phillips | E♭ Minor | 0 | 2A | 130 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: II. Tota pulchra es | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | F♯ Minor | 1 | 11A | 77 BPM | ||
| O Mensch, bewein dein Sünde gross | Caspar Othmayr, Vox Luminis, Lionel Meunier, Haru Kitamika | F Major | 1 | 7B | 95 BPM | ||
| Magnificat: XII. Gloria patri et filio | Francisco Guerrero, Núria Rial, Yolanda Lázaro, Jordi Abelló, Lluis Vilamajo, Ignasi Jorda | F Minor | 2 | 4A | 74 BPM | ||
| Hacomplaynt: Salve Regina: III. O clemens, o pia, o dulcis | Robert Hacomplaynt, Choir of King's College, Cambridge, Stephen Cleobury | E♭ Minor | 1 | 2A | 68 BPM | ||
| Lachrimae or Seven Tears: VIII. Mr Nicholas Gryffith his Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Pray for Peace | Komitas, Armen Badalyan, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | G Minor | 2 | 6A | 81 BPM | ||
| Surge, Propera Amica Mea | Raffaella Aleotti, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | ||
| Hodie Christus Natus Est | Jan Pieterszoon Sweelinck, Octarium | B Major | 2 | 1B | 86 BPM | ||
| Missa Corpis Domini, ZWV 3: Et incarnatus est | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | D♭ Minor | 0 | 12A | 72 BPM | ||
| No. 24, Irmossi III | Einojuhani Rautavaara, Tuukka Haapaniemi, Helsinki Chamber Choir, Nils Schweckendiek | G Minor | 3 | 6A | 84 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | ||
| Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum" | Claudio Monteverdi, Philippe Herreweghe, Samuel Boden, Dorothee Mields, Barbora Kabátková, Benedict Hymas, William Knight, Peter Kooij, Collegium Vocale Gent | B♭ Minor | 0 | 3A | 75 BPM | ||
| This marriage | Ars Poliphonica | D♭ Minor | 0 | 12A | 72 BPM | ||
| Gaudens Gaudebo | Schola Gregoriana Del Coro F. Paer, Schola of the Hofburgkapelle, Vienna, The Monks of Pluscarden Abbey | C Major | 0 | 8B | 78 BPM | ||
| Cum erubuerint infelices (Antiphona) | Hildegard von Bingen, La Reverdie | E Major | 0 | 12B | 82 BPM | ||
| Sheppard: Missa Cantate - 1h. Quoniam tu solus sanctus | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 87 BPM | ||
| O virga ac diadema | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin | F Minor | 0 | 4A | 95 BPM | ||
| Super flumina Babylonis | Giovanni Pierluigi da Palestrina, London Oratory Schola Cantorum, Charles Cole | B♭ Major | 2 | 6B | 65 BPM | ||
| Tribus miraculis | Luca Marenzio, John Scott, St. Paul's Cathedral Choir | A♭ Major | 1 | 4B | 116 BPM | ||
| Magne Pater Augustine | Francisco Guerrero, A5 Vocal Ensemble | B♭ Major | 2 | 6B | 95 BPM |