Richard Wagner, Yuko Mifune's '婚礼の合唱~歌劇「ローエングリン」より~' had a release date set for December 19, 2012. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in きらきらピアノ こどものポピュラーメロディーズ3, so we believe that "婚礼の合唱~歌劇「ローエングリン」より~" is a single. 婚礼の合唱~歌劇「ローエングリン」より~ is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 婚礼の合唱~歌劇「ローエングリン」より~ by Richard Wagner, Yuko Mifune is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Walküre, Act I Scene 1: Einen Unseligen labtest du | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 80 BPM | ||
| Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
| Lohengrin, WWV 75, Act III: Prelude | Richard Wagner, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | ||
| Symphony No. 5 In B Flat, D.485: I. Allegro | Franz Schubert, Wiener Philharmoniker, Karl Böhm | B♭ Major | 2 | 6B | 108 BPM | ||
| La Gioconda / Act 1: Preludio | Amilcare Ponchielli, National Philharmonic Orchestra, Bruno Bartoletti | F Major | 0 | 7B | 133 BPM | ||
| Idomeneo: Ouverture. Allegro | Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs | F Major | 0 | 7B | 88 BPM | ||
| Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Sacrificial Dance | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | G Minor | 5 | 6A | 132 BPM | ||
| Ritirata notturna di Madrid | Luigi Boccherini, Finnish Radio Symphony Orchestra, Hannu Lintu | C Major | 2 | 8B | 135 BPM | ||
| Carmina Burana: XXIV. Ave formosissima | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | E Minor | 3 | 9A | 172 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): X. The Great Gates of Kyiv | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 2 | 5B | 58 BPM | ||
| La Fanciulla del West / Act 1: Introduction | Giacomo Puccini, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | F♯ Minor | 1 | 11A | 168 BPM | ||
| Rienzi: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 3 | 10B | 103 BPM | ||
| 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
| Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | E♭ Major | 2 | 5B | 71 BPM | ||
| Parsifal, WWV 111 / Act III: Ja, Wehe! Wehe! Weh' über mich! | Richard Wagner, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | C Major | 0 | 8B | 166 BPM | ||
| Symphony No. 9 in D Minor, Op. 125 "Choral": II. Scherzo. Molto vivace - Presto | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | F Major | 1 | 7B | 117 BPM | ||
| Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | E Minor | 0 | 9A | 57 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
| Eugene Onegin, Op. 24, TH 5: Polonaise. Moderato | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | G Major | 2 | 9B | 97 BPM | ||
| Ein Heldenleben, Op. 40, TrV. 190: I. Der Held | Richard Strauss, Rainer Honeck, Wiener Philharmoniker, Christian Thielemann | G Major | 1 | 9B | 85 BPM | ||
| Don Giovanni, K. 527: Ouvertura | Wolfgang Amadeus Mozart, Teodor Currentzis, musicAeterna | D Major | 1 | 10B | 140 BPM | ||
| Symphony No. 9 in E minor, Op. 95 "From the New World": 1. Adagio - Allegro molto | Antonín Dvořák, The Cleveland Orchestra, Christoph von Dohnányi | E Minor | 2 | 9A | 130 BPM | ||
| Wagner: Lohengrin, Act 1: Prelude | Richard Wagner, Rudolf Kempe, Wiener Philharmoniker | A Major | 0 | 11B | 68 BPM | ||
| Also sprach Zarathustra, Op. 30: I. Prelude. Sonnenaufgang | Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 78 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM |