Amanda Marshall's ' "Too Little, Too Late" was released on its scheduled release date, June 22, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Tuesday's Child". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Canada. In terms of popularity, Too Little, Too Late is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Too Little, Too Late by Amanda Marshall having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gasoline | Jann Arden, Jackson Browne | E♭ Minor | 5 | 2A | 97 BPM | ||
| Life Could Be Worse | Barney Bentall & The Legendary Hearts | C Major | 7 | 8B | 116 BPM | ||
| The Voice Inside | Amanda Marshall | A Minor | 6 | 8A | 103 BPM | ||
| Dawgcatcher | Amanda Marshall | E Minor | 8 | 9A | 89 BPM | ||
| Shatter | Meredith Brooks | G Major | 7 | 9B | 111 BPM | ||
| Magnolia Street | Catie Curtis | A Major | 1 | 11B | 71 BPM | ||
| When You Were Mine | John Waite | B♭ Major | 4 | 6B | 97 BPM | ||
| Don't Talk to Her at Night | Marc Cohn | C Major | 3 | 8B | 102 BPM | ||
| So Hard | Sass Jordan | A Major | 9 | 11B | 125 BPM | ||
| Invisible Man | Joshua Kadison | A♭ Major | 5 | 4B | 82 BPM | ||
| Start Again | Duncan Sheik | A Major | 7 | 11B | 172 BPM | ||
| Tonight and the Rest of My Life | Nina Gordon | D Minor | 6 | 7A | 157 BPM | ||
| Flesh And Blood | Wilson Phillips | G Major | 3 | 9B | 142 BPM | ||
| Keep A Lid On Things | Crash Test Dummies | A Major | 7 | 11B | 166 BPM | ||
| Torch | Alanis Morissette | B♭ Major | 4 | 6B | 180 BPM | ||
| After the Rain | Blue Rodeo | A Major | 6 | 11B | 137 BPM | ||
| I Want To Come Over | Melissa Etheridge | A Major | 5 | 11B | 114 BPM | ||
| Give Up Giving In | Amanda Marshall | A Minor | 6 | 8A | 103 BPM | ||
| Did We Not Choose Each Other | Sophie B. Hawkins | B Major | 6 | 1B | 147 BPM | ||
| Silverball | Cultured Pearls | C Major | 7 | 8B | 90 BPM | ||
| Innocent (With An Explanation) | Luba | D Major | 7 | 10B | 124 BPM | ||
| Walk Through the World | Marc Cohn | C Major | 7 | 8B | 177 BPM | ||
| The Last Time I Saw William | Alannah Myles | A Major | 5 | 11B | 111 BPM | ||
| Will You Be There (In The Morning) | Heart | A Major | 7 | 11B | 166 BPM | ||
| Why Don't You Love Me? | Amanda Marshall | F Minor | 7 | 4A | 154 BPM |