On September 22, 2017, the song "You're Welcome, Stop On By" was released by Sweet Pea Atkinson. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sweet Pea Atkinson's "Get What You Deserve" album is number 6 out of 10. In terms of popularity, You're Welcome, Stop On By is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of You're Welcome, Stop On By by Sweet Pea Atkinson to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blues Keep Chasing Me | Kenny Neal | F Major | 6 | 7B | 183 BPM | ||
| Dwell On The Feeling | Ana Popovic | B Minor | 7 | 10A | 104 BPM | ||
| Empty Room, City Lights | BOOMSLICK | D♭ Major | 5 | 3B | 98 BPM | ||
| Are You Lonely For Me Baby | Sweet Pea Atkinson | B Major | 8 | 1B | 99 BPM | ||
| Sold His Soul | Buddy Red | F Major | 9 | 7B | 134 BPM | ||
| I Want To Ta-Ta You Baby | Johnny "Guitar" Watson | D♭ Major | 4 | 3B | 117 BPM | ||
| Only Getting Second Best | Freddie King, Brian Auger, Steve Ferrone, Bobby Tench | D Minor | 3 | 7A | 148 BPM | ||
| Big Legged Woman | Freddie King | B♭ Major | 6 | 6B | 185 BPM | ||
| Fast Food Annie | A.C. Reed | G Major | 9 | 9B | 190 BPM | ||
| Dance or Die (Unouzbeck Edit) | Sweet Pea Atkinson, Was (Not Was) | G Major | 10 | 9B | 120 BPM | ||
| I Can't Be All Bad | Johnny Adams | B♭ Major | 4 | 6B | 201 BPM | ||
| I'm in Trouble | Candice Ivory | A Major | 2 | 11B | 71 BPM | ||
| Life Ain’t Got No Shortcuts | Jay-Bee & The Ultratone All-Stars | C Minor | 3 | 5A | 98 BPM | ||
| Hate the Bite | Harrell "Young Rell" Davenport | C Major | 4 | 8B | 124 BPM | ||
| Can't Take My Joy | Robert Finley | F♯ Minor | 8 | 11A | 150 BPM | ||
| Burnin' Tears | Yates McKendree | G Major | 2 | 9B | 58 BPM | ||
| Honey Ain't so Sweet | D.K. Harrell | D Major | 8 | 10B | 81 BPM | ||
| Smile | Cedric Burnside | C Major | 9 | 8B | 104 BPM | ||
| Going to the Shack | Billy Price, Otis Clay | A♭ Major | 7 | 4B | 111 BPM | ||
| S.S.S. | Christone "Kingfish" Ingram | G Minor | 8 | 6A | 120 BPM | ||
| The Push I Need | Shemekia Copeland | E♭ Major | 6 | 5B | 123 BPM | ||
| Betcha I'll Getcha | Lachy Doley | D Minor | 4 | 7A | 80 BPM | ||
| Mile After Mile | Brandon Santini | G Major | 5 | 9B | 103 BPM | ||
| Ain't That A Mother's Luck | Dorothy Moore | G Major | 5 | 9B | 103 BPM | ||
| Guilty of a Good Time | Altered Five Blues Band | E Minor | 6 | 9A | 172 BPM |