"Blue Type I" by Ian Hawgood, Aaron Martin had its release date on June 27, 2014. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Blue Type I's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolven (A Modern Interpretation) by Ian Hawgood & Friends. The song's track number on the album is #8 out of 14 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Blue Type I is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Blue Type I by Ian Hawgood, Aaron Martin has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Blue Type I being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Niche | Ambalek | G Minor | 0 | 6A | 96 BPM | ||
| Harbor Haze | Snuggly | F Major | 0 | 7B | 64 BPM | ||
| Brygghus 36 | Drönvall | D Minor | 1 | 7A | 74 BPM | ||
| Canción de la Vía Láctea (Milky Way song) | Federico Durand | D Major | 1 | 10B | 137 BPM | ||
| Cascade 1.5 | William Basinski | B♭ Minor | 1 | 3A | 138 BPM | ||
| Half Awake | Hunter Rossi | F Minor | 0 | 4A | 135 BPM | ||
| Coda | zakè, Wayne Robert Thomas | A Major | 0 | 11B | 137 BPM | ||
| Quell | Hollie Kenniff | D♭ Major | 1 | 3B | 175 BPM | ||
| patterns sleep | Ian Hawgood | D Major | 3 | 10B | 78 BPM | ||
| esperance (turquoise) | IKSRE | D Major | 2 | 10B | 115 BPM | ||
| Astronaut, Pt. 01 | Jogging House | C Major | 0 | 8B | 103 BPM | ||
| Canopy | David Cordero, anthéne | E Major | 2 | 12B | 92 BPM | ||
| This Night | Danny Norbury, Ian Hawgood | F Major | 2 | 7B | 79 BPM | ||
| the sparsity of companionship | gingerbeard man | D♭ Minor | 1 | 12A | 120 BPM | ||
| hideaway | astralcurrent | D♭ Major | 0 | 3B | 89 BPM | ||
| existence (slowed + reverb) | trapeia | D♭ Major | 0 | 3B | 89 BPM | ||
| Jean Pouaha | Redkattseven | D♭ Major | 0 | 3B | 85 BPM | ||
| Linen Lullaby | Frette Official, Tom Middleton | G Major | 1 | 9B | 68 BPM | ||
| Speak Softly in My Dreams | Ex Confusion | D Major | 0 | 10B | 69 BPM | ||
| Afterglow | Moon Mountain | D♭ Major | 1 | 3B | 67 BPM | ||
| Soon We'll Meet | Weatherson | A♭ Major | 2 | 4B | 135 BPM | ||
| Eight | Nobuto Suda | D♭ Major | 1 | 3B | 70 BPM | ||
| Watermark Twenty Five | Nyvora | D♭ Major | 0 | 3B | 55 BPM | ||
| Under Bright Light | Two Hands | One Engine | E Major | 2 | 12B | 61 BPM | ||
| Light Falters | Ian Hawgood, Stijn Hüwels, James Murray | G Minor | 3 | 6A | 75 BPM |