Murray Gold's ' "We Need to Get Back to the TARDIS" was released on its scheduled release date, April 27, 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 13 out of 63 in Doctor Who - Series 9 (Original Television Soundtrack) by Murray Gold. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, We Need to Get Back to the TARDIS's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of We Need to Get Back to the TARDIS by Murray Gold is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tom Dies | Dominik Scherrer | A Minor | 1 | 8A | 78 BPM | ||
| Alaska | Declan Seth, Morgan Richards | G Major | 4 | 9B | 95 BPM | ||
| Life Circle | Keramet Boyukcol, Kukando | F Minor | 3 | 4A | 100 BPM | ||
| Helicopter Rescue | Bear McCreary | C Major | 1 | 8B | 121 BPM | ||
| Merlin's Arrival at Camelot | Rob Lane | A♭ Major | 3 | 4B | 94 BPM | ||
| Septimus | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 7 | 9B | 154 BPM | ||
| Thirteen (feat. Hollie Buhagiar) | Segun Akinola, Hollie Buhagiar | D Minor | 5 | 7A | 80 BPM | ||
| Without Witness, Without Reward | Jack Dalton | E Minor | 1 | 9A | 140 BPM | ||
| Star Trek Generations Overture | Dennis McCarthy | E♭ Major | 2 | 5B | 169 BPM | ||
| The Ambush | Carly Paradis | G Minor | 6 | 6A | 80 BPM | ||
| Knights of the Round Table | Rob Lane | E Major | 1 | 12B | 86 BPM | ||
| Some Assembly Required | Christophe Beck | D Major | 1 | 10B | 75 BPM | ||
| Lancelot's Fight | Rohan Stevenson | D Minor | 2 | 7A | 118 BPM | ||
| Cleveland, Ohio 2022 | Natalie Holt | F Minor | 5 | 4A | 138 BPM | ||
| Under Attack | Jeff Russo | F Minor | 8 | 4A | 90 BPM | ||
| An 1815 Napoleonic Brandy | Henry Jackman, Matthew Margeson | F Minor | 8 | 4A | 90 BPM | ||
| Toast to a Kingsman | Henry Jackman, Matthew Margeson | F Minor | 8 | 4A | 90 BPM | ||
| Jessamy's Flight | David Buckley | C Major | 7 | 8B | 125 BPM | ||
| Ghost Star | Grushkov | E Minor | 5 | 9A | 74 BPM | ||
| Earthquake | Ben Bartlett, BBC Concert Orchestra | G Major | 3 | 9B | 94 BPM | ||
| Hybrid | Stephor Shpandau | D♭ Major | 5 | 3B | 157 BPM | ||
| Forgiven | Murray Gold | B Minor | 2 | 10A | 80 BPM | ||
| Reckoning Main Theme | Grant Kirkhope | D♭ Major | 3 | 3B | 60 BPM | ||
| Ascension | Natalie Holt | F Minor | 5 | 4A | 138 BPM | ||
| Reflection | Almira Gokmen, Almira | F Minor | 2 | 4A | 120 BPM |