"Der Rosenkavalier: Walzerfolge No. 2, TrV 227a" by Seattle Symphony Orchestra had its release date on September 4, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 3 in the song's album "Strauss: Der Rosenkavalier: Orchestral Suite and Waltz Sequences". In this album, this song's track order is #3. In terms of popularity, Der Rosenkavalier: Walzerfolge No. 2, TrV 227a is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Rosenkavalier: Walzerfolge No. 2, TrV 227a by Seattle Symphony Orchestra having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
| Spartacus, Act I: March of the gladiators and the Egyptian dancing girl (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | A Major | 1 | 11B | 62 BPM | ||
| M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
| Romeo and Juliet Suite No. 1, Op. 64bis: IV. Minuet (Live) | Sergei Prokofiev, Riccardo Muti, Chicago Symphony Orchestra | E♭ Major | 1 | 5B | 92 BPM | ||
| Pelléas et Mélisande Suite, Op. 80: I. Prelude | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | ||
| Gayane Suite No. 2: IV. Choosing the Bride | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | C Minor | 1 | 5A | 78 BPM | ||
| Capriccio espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
| Le Prophète: Coronation March | Giacomo Meyerbeer, Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 112 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace | Edvard Grieg, Moscow Soloists, Yuri Bashmet | G Minor | 1 | 6A | 117 BPM | ||
| Vietnam (We Know Too Many of These Kids) [Mr Holland's Opus] | Michael Kamen, Seattle Symphony Orchestra | B♭ Major | 0 | 6B | 73 BPM | ||
| Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | D Major | 1 | 10B | 88 BPM | ||
| Grand Canyon Suite: 5. Cloudburst | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | E Major | 3 | 12B | 61 BPM | ||
| Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
| Morning, Noon and Night in Vienna | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | F Major | 2 | 7B | 80 BPM | ||
| Rachmaninoff: Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, San Francisco Symphony, Michael Tilson Thomas | A Minor | 1 | 8A | 76 BPM | ||
| Concerto Grosso #1 - 1. Prelude | Howard Hanson | D Major | 2 | 10B | 175 BPM | ||
| Islamey, Oriental fantasy, Op. 18 | Mily Balakirev, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel | D♭ Major | 3 | 3B | 157 BPM | ||
| Gayane Suite No. 2: V. Lullaby | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Minor | 1 | 6A | 83 BPM | ||
| Prelude: Allegro - Meno mosso - Alla breve (Allegro) - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 74 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| Scheherazade: Sinbad's mighty bird, the Roc | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 3 | 9B | 143 BPM | ||
| Rodeo: III. Ranch House Party | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | B♭ Major | 3 | 6B | 156 BPM | ||
| Perpetuum mobile - Musical Joke Op. 257 | Johann Strauss II, Hallé, Bramwell Tovey | E♭ Major | 1 | 5B | 149 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Scherzo (The Bolt) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 77 BPM |