The Ropes's ' "Addicted to Morals" was released on its scheduled release date, February 9, 2010. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Addicted to Morals's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Ropes's "I Miss You Being Gone" album is number 2 out of 2. On top of that, United States appears to be the country where this track was created. Based on our statistics, Addicted to Morals's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Addicted to Morals by The Ropes to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fever In My Heart | Julia, Julia | D♭ Minor | 8 | 12A | 110 BPM | ||
| Kitty Get Down | The Ropes | B♭ Major | 8 | 6B | 120 BPM | ||
| Truth Hurts (Mevius Remix) | Tennis System, Mevius | F Major | 8 | 7B | 166 BPM | ||
| Someone Real | Class Actress | A♭ Minor | 4 | 1A | 114 BPM | ||
| More Than You Realized | Tempers | D Minor | 7 | 7A | 144 BPM | ||
| Identity | Austra | B Minor | 8 | 10A | 130 BPM | ||
| The Innocent | Paul McBoi | A Minor | 3 | 8A | 112 BPM | ||
| bittersweet girl | boywithahalo | G Major | 8 | 9B | 148 BPM | ||
| Nightwalking | Tempers | A Minor | 6 | 8A | 115 BPM | ||
| To My Right | Prince Innocence | F Major | 6 | 7B | 116 BPM | ||
| Life on a chain | Egbert Capalla | D Major | 10 | 10B | 94 BPM | ||
| Heart of Dust | Light Asylum | A Major | 10 | 11B | 100 BPM | ||
| Pink Clouds | Fawn | E Major | 3 | 12B | 124 BPM | ||
| Apologies | Minuit Machine | G Minor | 8 | 6A | 126 BPM | ||
| Basement Band Song | The Organ | D Major | 8 | 10B | 157 BPM | ||
| La // 3am | NAVVI | C Minor | 7 | 5A | 97 BPM | ||
| Land of the Innocent | Feathers | B Minor | 8 | 10A | 120 BPM | ||
| Safe Room | Falling Signal | A♭ Major | 3 | 4B | 154 BPM | ||
| Memorize the City | The Organ | E Minor | 8 | 9A | 170 BPM | ||
| You Would Like That | Hop | D♭ Major | 7 | 3B | 113 BPM | ||
| Progress | Black Tapestry | D♭ Major | 7 | 3B | 113 BPM | ||
| Heaven Was Full | Cold Cave | F♯ Major | 8 | 2B | 106 BPM | ||
| You’ve Crossed the Line | Soft Corruption | D♭ Major | 7 | 3B | 113 BPM | ||
| Ghost Dream | Blouse | C Major | 8 | 8B | 143 BPM | ||
| Camino Del Sol | Tempers | B♭ Minor | 9 | 3A | 166 BPM |