Lata Mangeshkar, Amit Kumar's ' "Zara Sa Mujhe Chhuna To" was released on its scheduled release date, August 20, 1990. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ajit Varman's "Karmyoddha" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Zara Sa Mujhe Chhuna To is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Zara Sa Mujhe Chhuna To by Lata Mangeshkar, Amit Kumar to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Likhe Jo Khat Tujhe (From "Kanyadaan") | Mohammed Rafi | B Minor | 4 | 10A | 107 BPM | ||
| Sheesha Ho Ya Dil Ho | Lata Mangeshkar | D Minor | 5 | 7A | 88 BPM | ||
| Tirchi Topiwale - 1 | Amit Kumar, Sapna Mukherjee | F Minor | 8 | 4A | 124 BPM | ||
| Jeevan Ke Din, Pt. 1 | Udit Narayan, Baby Preeti, Majrooh Sultanpuri | B♭ Minor | 5 | 3A | 149 BPM | ||
| Sanchi Kahe Toe Aavan Se | Jaspal Singh | A♭ Major | 7 | 4B | 104 BPM | ||
| Goom Hai Kisi Ke Pyar Mein (From "Raampur Ka Lakshman") | Kishore Kumar, Lata Mangeshkar | C Minor | 3 | 5A | 117 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Main Shair To Nahin | Shailendra Singh, Laxmikant–Pyarelal | E Minor | 5 | 9A | 144 BPM | ||
| Main Teri Mohabbat Mein - 1 | Mohammed Aziz, Sadhana Sargam | F♯ Minor | 7 | 11A | 79 BPM | ||
| Dialogues And Na Koi Umang Hai And Dialogues | Asha Parekh, Lata Mangeshkar, R. D. Burman | E♭ Minor | 7 | 2A | 158 BPM | ||
| Mausam Hai Ashiqana | Lata Mangeshkar | F Major | 4 | 7B | 121 BPM | ||
| Bechain Nazar Betab Jigar | Talat Mahmood | B Major | 4 | 1B | 98 BPM | ||
| Meri Sanson Mein | Udit Narayan, Javed Akhtar | C Major | 4 | 8B | 82 BPM | ||
| Mana Ho Tum Behad Haseen | K. J. Yesudas | B Minor | 4 | 10A | 106 BPM | ||
| Yari Hai Imaan Mera | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 106 BPM | ||
| Lambi Judaai | Reshma, Laxmikant–Pyarelal | B Major | 5 | 1B | 136 BPM | ||
| Hum Tere Deewane Hai | Shailendra Singh | G Minor | 7 | 6A | 186 BPM | ||
| Commentry Tabassum And O Sathi Chal - Seeta Aur Geeta | Tabassum, Asha Bhosle, R. D. Burman | D Major | 6 | 10B | 89 BPM | ||
| Chand Si Mehbooba Ho Meri | Mukesh | F Major | 3 | 7B | 88 BPM | ||
| Commentry Tabassum And Humen Tumse Pyar Kitna | Tabassum, Kishore Kumar, R. D. Burman | A Minor | 4 | 8A | 125 BPM | ||
| Ek Main Aur Ek Tu | Asha Bhosle, Kishore Kumar, R. D. Burman | A♭ Major | 4 | 4B | 119 BPM | ||
| Hamse Ka Bhool Huyi | Anwar Hussain | A Major | 3 | 11B | 107 BPM | ||
| Rahen Na Rahen | Lata Mangeshkar | C Major | 3 | 8B | 107 BPM | ||
| Zid Na Karo Ab To Ruko - Male Vocals | K. J. Yesudas | D Major | 5 | 10B | 90 BPM | ||
| Le Chal Mere Jeevan Saathi | Hemlata, Mukesh, Kalyanji-Anandji | D Minor | 3 | 7A | 130 BPM |