"Reminiscence" by Jonathan Goldsmith had its release date on May 18, 1999. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Reminiscence's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Such a Long Journey". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Canada. Reminiscence is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Reminiscence by Jonathan Goldsmith having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Echo | Luzima | A Major | 2 | 11B | 81 BPM | ||
| The New Watergate | Jonathan Goldsmith | D Major | 3 | 10B | 139 BPM | ||
| Goodbye Eilis | Michael Brook | B♭ Major | 2 | 6B | 86 BPM | ||
| You Don't Matter | Nico Muhly | G Minor | 0 | 6A | 70 BPM | ||
| Best of Dreams | Paolo MIllon, Neon Lilith, Tommy F Besson, Metasymphony | F Major | 0 | 7B | 74 BPM | ||
| Hands Playing Butterfly | Efterklang | D♭ Major | 3 | 3B | 79 BPM | ||
| Bleach (Prologue) | Chris Roe, Solem Quartet, Amy Green | G Minor | 2 | 6A | 83 BPM | ||
| Stories | Colin Stetson | B Major | 1 | 1B | 106 BPM | ||
| The Pull of Home | Michael Brook | E Major | 1 | 12B | 61 BPM | ||
| Layers Of The Ocean / The Hadopelagic | Fernando Velázquez | A♭ Minor | 2 | 1A | 120 BPM | ||
| A Thorny Relationship | Sven Faulconer | E Major | 0 | 12B | 110 BPM | ||
| Paper Boat | Daniel Duque | F♯ Minor | 0 | 11A | 71 BPM | ||
| Wiffle Ball | Joel P West | A Minor | 2 | 8A | 123 BPM | ||
| Check Your Messages | Jeff Beal | F Major | 3 | 7B | 91 BPM | ||
| Exit Point | Liliya Kumar, Lofi Chills | C Minor | 2 | 5A | 88 BPM | ||
| County Hall | Emilie Levienaise-Farrouch | C Major | 0 | 8B | 75 BPM | ||
| Colors You Cannot See | Coby Brown | A Minor | 0 | 8A | 101 BPM | ||
| Forsaken (Opening Titles) | Jonathan Goldsmith | A Minor | 1 | 8A | 84 BPM | ||
| A Shapeshifter Touches to Fool the Heart | Greater Alexander | E Major | 2 | 12B | 166 BPM | ||
| The Encounter | Jed Kurzel | F Major | 0 | 7B | 171 BPM | ||
| Mayo | Alexis Somogyi | F Major | 2 | 7B | 110 BPM | ||
| A Sense Of Hope | Northern Harbor | G Major | 0 | 9B | 77 BPM | ||
| Another Rain Bath Before Bed Crawling | Greater Alexander | B♭ Major | 1 | 6B | 73 BPM | ||
| The Findings | Marcelo Zarvos | B Minor | 0 | 10A | 69 BPM | ||
| Deck Discussion | Michael Brook | D Major | 1 | 10B | 85 BPM |