Father Kelly's (Arr. K. Kolodner, R. Bullock and L. Risk) by Anonymous, Ken Kolodner, Laura Risk, Robin Bullock Song Details

Anonymous, Ken Kolodner, Laura Risk, Robin Bullock's ' "Father Kelly's (Arr. K. Kolodner, R. Bullock and L. Risk)" was released on its scheduled release date, February 1, 2011. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ken Kolodner's "Kolodner, Ken: Walking Stones" album is number 1 out of 31. On top of that, United States appears to be the country where this track was created. In terms of popularity, Father Kelly's (Arr. K. Kolodner, R. Bullock and L. Risk) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

We consider the tempo marking of Father Kelly's (Arr. K. Kolodner, R. Bullock and L. Risk) by Anonymous, Ken Kolodner, Laura Risk, Robin Bullock to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -20.117 dB
Acousticness: 96%
Danceability: 56%
Energy: 16%
Instrumentalness: 6%
Liveness: 18%
Loudness: 66%
Speechiness: 4%
Valence: 51%

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