Francesco Paolo Tosti, Compagnia D'Opera Italiana, Antonello Gotta, Stefano Secco's 'Marechiare - Version for Voice and Orchestra, Full Vocal Version' had a release date set for 2003. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 20 in Cantolopera: Tosti's Famous Romances, Vol. 1 by Francesco Paolo Tosti, Stefano Secco, Antonello Gotta, Compagnia D'Opera Italiana. Based on our statistics, Marechiare - Version for Voice and Orchestra, Full Vocal Version's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Marechiare - Version for Voice and Orchestra, Full Vocal Version by Francesco Paolo Tosti, Compagnia D'Opera Italiana, Antonello Gotta, Stefano Secco is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
| Sadko, Act 2: Song of Indian Guest | Rimsky-Korsakov Rimsky-Korsakov, Chorus of the Bolshoi Theatre Moscow, Orchestra of the Bolshoi Theatre Moscow, Alexander Vedernikov | C Major | 0 | 8B | 75 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
| Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
| Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | ||
| Core 'ngrato (arr. G. Chiaramello) [Orch. G. Chiaramello] | Salvatore Cardillo, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | D♭ Major | 1 | 3B | 85 BPM | ||
| Bellini: I puritani, Act 2: "Qui la voce sua soave" (Elvira) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Minor | 1 | 5A | 61 BPM | ||
| Ave Maria | Francesco Paolo Tosti, Frieder Lang, Daniel Winiger | A Major | 1 | 11B | 90 BPM | ||
| Silenzio cantatore | Gaetana Lama, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E Minor | 2 | 9A | 83 BPM | ||
| Eugene Onegin, Op. 24, TH 5: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | E Minor | 2 | 9A | 166 BPM | ||
| Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM | ||
| Le nozze di Figaro, K. 492: Deh vieni, non tardar | Wolfgang Amadeus Mozart, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy | F Major | 0 | 7B | 88 BPM | ||
| La fantasia | Anna Netrebko | A Minor | 4 | 8A | 72 BPM | ||
| La serenata | Pietro Mascagni, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | D Minor | 3 | 7A | 165 BPM | ||
| Bizet: Les pêcheurs de perles, WD 13, Act 1: "Je crois entendre encore" (Nadir) | Georges Bizet, Pierre Dervaux, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | A Minor | 1 | 8A | 88 BPM | ||
| Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Renée Fleming, Hartmut Höll | E♭ Major | 0 | 5B | 92 BPM | ||
| Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
| Mazeppa, TH 7 / Act 3: "Spi, mladyenits moy prekrasniy" (Maria's Lullaby) | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Major | 1 | 3B | 76 BPM | ||
| Sei ariette da camera: No. 1, Malinconia, ninfa gentile | Vincenzo Bellini, Juan Diego Flórez, Vincenzo Scalera | E♭ Major | 3 | 5B | 87 BPM | ||
| Rigoletto / Act 1: "Questa o quella" | Giuseppe Verdi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D♭ Major | 4 | 3B | 89 BPM | ||
| Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
| Carmen / Act 1: "Quand je vous aimerai?"/Havanaise: "L'amour est un oiseau rebelle" | Georges Bizet, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | D Major | 0 | 10B | 111 BPM | ||
| Aida / Act 1: "Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 89 BPM | ||
| Moreno-Torroba: Maravilla, Act 3: "Amor, vida de mi vida" (Rafael) | Federico Moreno Torroba, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | F Major | 4 | 7B | 85 BPM | ||
| La Serenata | Francesco Paolo Tosti, Gillian Zammit, Lucia Micallef | F Major | 1 | 7B | 187 BPM |