On June 11, 2020, the song "Nadedu Barayya" was released by Anantha Kulkarni. This song is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The song is number 2 out of 7 in Dasanagu Visheshanagu - Pavamana Pavamana by Anantha Kulkarni. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Nadedu Barayya's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Nadedu Barayya by Anantha Kulkarni is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mane Pyari Lage Murti | Sadhu Akshareshdas | B Major | 5 | 1B | 145 BPM | ||
| Mila Vatan ka khula nimantran | Brahma Kumaris | D Major | 3 | 10B | 75 BPM | ||
| Sri Nrusimha Mruthimjaya Sththoram | Bangalore Sisters, Ramesh Chandra, Ajey Warrior | E Minor | 4 | 9A | 115 BPM | ||
| Thiruvilakke | Bombay Saradha | G Minor | 4 | 6A | 130 BPM | ||
| Jagavan Aaluva Swamy | Narasimha Naik | F♯ Minor | 6 | 11A | 108 BPM | ||
| Aananda Matthe Paramananda | Anantha Kulkarni | E♭ Major | 6 | 5B | 116 BPM | ||
| Itni Shakti Mujhe Do | Dheera Ghosh | F♯ Major | 2 | 2B | 125 BPM | ||
| Eddelu Manjunatha | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | F Major | 2 | 7B | 149 BPM | ||
| Aaradhisuve | B.K. Sumitra | G Major | 4 | 9B | 175 BPM | ||
| Ashtothara Shatanama Stotram | Prasath Sai, Prakash Kumar | B♭ Major | 3 | 6B | 88 BPM | ||
| Dasarendare Purandara | Puttur Narasimha Nayak | F♯ Minor | 7 | 11A | 94 BPM | ||
| Koncha Kodari Gamana | C. Ashwath, Gopal Yagnik, Prakash Raj, Vijaya Lakshmi | D Major | 5 | 10B | 105 BPM | ||
| Jaya Sri Ganesh | V. Anand | C Major | 2 | 8B | 143 BPM | ||
| Vettri Vanthu Serume | Raja Rajacholan | F♯ Minor | 7 | 11A | 110 BPM | ||
| Ranga Baroo | Anantha Kulkarni | D♭ Major | 4 | 3B | 113 BPM | ||
| Ganapathi Stuti | Raghavendra Acharya Jansale | B♭ Minor | 3 | 3A | 104 BPM | ||
| Poorna Chandira Banda | Manjula Gururaj, K. V. Mahadevan, Vijaya Narasimha | D♭ Major | 8 | 3B | 177 BPM | ||
| Thunga Theeradi | Narashima Naik, Purandara Dasaru | D♭ Major | 6 | 3B | 156 BPM | ||
| Sangeetha Sahitya Samalochani | B.K. Sumitra | F♯ Minor | 6 | 11A | 176 BPM | ||
| Koduva Kartu | Sri Vidyabhushana | G Minor | 7 | 6A | 97 BPM | ||
| Daaro Nee Chinna Daaro | Anantha Kulkarni | F♯ Minor | 5 | 11A | 172 BPM | ||
| Sharee Hanumanji Ki Arti | Atul Purohit | F♯ Minor | 6 | 11A | 95 BPM | ||
| Dasanagu Visheshanagu | Anantha Kulkarni | D♭ Minor | 3 | 12A | 115 BPM | ||
| Pogadirelo Ranga | Purandara Dasara Bhakta Bandugalu | D♭ Major | 8 | 3B | 115 BPM | ||
| Challidaru Malligeya | Shamita Malnad | G Minor | 6 | 6A | 177 BPM |