"Self-Fulfilling Prophecy" by Sam Hulick had its release date on June 13, 2017. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 6 in the song's album "Spoken Word (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. The popularity of Self-Fulfilling Prophecy is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Self-Fulfilling Prophecy by Sam Hulick having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prothean Beacon | Cris Velasco, Sascha Dikiciyan | D Minor | 4 | 7A | 121 BPM | ||
| Abadis Forest | Hyperduck Soundworks | G Minor | 6 | 6A | 90 BPM | ||
| Peace and Order by Force | Stephen Barton | C Major | 7 | 8B | 196 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Twin Elms | Justin Bell | E Minor | 1 | 9A | 69 BPM | ||
| Beginning | Gustaf Grefberg, Sam Hulick | F Major | 0 | 7B | 69 BPM | ||
| Deus Ex-Human Revolution: Icarus Main Theme | Crouch End Festival Chorus, Sarah Covey, London Philharmonic Orchestra | G Minor | 4 | 6A | 119 BPM | ||
| Theme from Defiance | Bear McCreary | D♭ Minor | 5 | 12A | 139 BPM | ||
| Tirailleur | Johan Söderqvist, Patrik Andrén | D Minor | 3 | 7A | 120 BPM | ||
| Ende | Mick Gordon | G Minor | 1 | 6A | 86 BPM | ||
| Wanderers | Cristian Sandquist, Nina Fylkegård | C Major | 2 | 8B | 176 BPM | ||
| The Research Base | Michael Nielsen, Kaveh Cohen | D Major | 4 | 10B | 131 BPM | ||
| Seriola Lalandi | Austin Wintory | G Minor | 3 | 6A | 132 BPM | ||
| Humans Are Disappearing | Jack Wall | A♭ Major | 1 | 4B | 127 BPM | ||
| Overworld | Joshua Carro | F♯ Minor | 2 | 11A | 99 BPM | ||
| A Land of War and Poetry (feat. Jeremy Soule) | Brad Derrick, Jeremy Soule | A Minor | 5 | 8A | 100 BPM | ||
| Fifth Confluence | Austin Wintory | D Minor | 2 | 7A | 67 BPM | ||
| Spies vs. Mercs | Kaveh Cohen, Michael Nielsen | D Major | 6 | 10B | 113 BPM | ||
| Across the Drift (Riftborn Theme) | Arnaud Roy | A Minor | 1 | 8A | 76 BPM | ||
| Combat Simulator Tier 4 | Sam Hulick | D Major | 3 | 10B | 161 BPM | ||
| Cirromon Caverns | Hyperduck Soundworks | D Minor | 4 | 7A | 110 BPM | ||
| Assassins Of Kings | Adam Skorupa, Krzysztof Wierzynkiewicz | C Major | 6 | 8B | 126 BPM | ||
| On The Run | Gustaf Grefberg, Sam Hulick | E Minor | 5 | 9A | 68 BPM | ||
| Emerald Vale | Justin E. Bell | A♭ Major | 2 | 4B | 102 BPM | ||
| Where There Is Darkness | Paul Leonard-Morgan | A Major | 4 | 11B | 128 BPM |