Buddhadev DasGupta's ' "Brindabani Sarang" was released on its scheduled release date, August 10, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 74 in the song's album "The Raga Guide". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Brindabani Sarang is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Brindabani Sarang by Buddhadev DasGupta having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raga Yaman | Kishori Amonkar | B♭ Major | 5 | 6B | 138 BPM | ||
| Janani Ninnuvina | M.S. Gopalakrishnan | F♯ Minor | 4 | 11A | 160 BPM | ||
| Raga Alapana - Version 2 | T. R. Mahalingam, L. Subramaniam | C Major | 0 | 8B | 131 BPM | ||
| เขมรเอวบาง - 2 ชั้น | ชัยภัค ภัทรจินดา | B♭ Major | 4 | 6B | 90 BPM | ||
| Bilaskhani Todi | Hariprasad Chaurasia | C Major | 1 | 8B | 85 BPM | ||
| Vaishnava Jana To - Instrumental | Acoustic Trips | D♭ Major | 4 | 3B | 80 BPM | ||
| Varṇam - Rāgam: Kalyānī | L. Subramaniam, Viji Subramaniam, T. H. Subashchandran, Poovalur V. Srinivasan | B Major | 1 | 1B | 137 BPM | ||
| Nit De Vichore | Shujaat Khan | D♭ Major | 4 | 3B | 107 BPM | ||
| Kirvani | Hariprasad Chaurasia | E Major | 2 | 12B | 152 BPM | ||
| Sitar Meditation | Mantra Live, Glenn Sharp | F Major | 0 | 7B | 85 BPM | ||
| Raga Bhairavi | Shaant Man | G Minor | 6 | 6A | 130 BPM | ||
| Dhun in Madhyam se Gara - Studio | Tejendra Majumdar, Swapan Chaudhuri | F Major | 2 | 7B | 101 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Madhyamakāla Sāhitya (1) | Ranganayaki Rajagopalan, Raja Rao | A♭ Major | 3 | 4B | 153 BPM | ||
| Raga Kirwani: Alap | Pt. Hariprasad Chourasiya | E Minor | 4 | 9A | 105 BPM | ||
| Agra (India) 1987 - Kharawa | Zakir Hussain & Hariprasad Chaurasia | C Major | 6 | 8B | 122 BPM | ||
| Asar Us Ko | Muslim Shaggan | B♭ Minor | 2 | 3A | 70 BPM | ||
| Mangaḷam: "Pavamāna" | Ranganayaki Rajagopalan, Raja Rao | F Minor | 3 | 4A | 107 BPM | ||
| Raag Bageshree With Ojas Adhiya | Shahid Parvez | D Major | 1 | 10B | 125 BPM | ||
| Bhairavi | Ty Burhoe, Kala Ramnath | F Major | 4 | 7B | 109 BPM | ||
| Raga Rageshree (Keyboard) | Abhijit Pohankar | A Major | 7 | 11B | 91 BPM | ||
| Vanajaksha (Behag Varnam) [Veena] | Ramana Balachandhran | D Major | 3 | 10B | 66 BPM | ||
| Alaipayudhey | Jayanthi Kumaresh | C Minor | 4 | 5A | 80 BPM | ||
| Love You Veena | Susheela Raman | C Minor | 2 | 5A | 169 BPM | ||
| Raga Pilu - Taal Dadra | Shahid Parvez, Faiyaz Hussain Khan | D♭ Major | 3 | 3B | 94 BPM | ||
| Tilak Kamod | Shruti Sadolikar | A♭ Major | 3 | 4B | 156 BPM |