- BPM
- 86
- Key
- E♭ Major
- Camelot
- 5B
Requiem: VIII. Ingemisco by Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Stuart Neill Song Details
"Requiem: VIII. Ingemisco" by Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Stuart Neill had its release date on August 24, 2009. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Requiem by Giuseppe Verdi, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis. The song's track number on the album is #8 out of 17 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Requiem: VIII. Ingemisco is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Requiem: VIII. Ingemisco by Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Stuart Neill has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Requiem: VIII. Ingemisco being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
Music Key
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 24%
- Loudness
- -31.136 dB
- Acousticness
- 97%
- Danceability
- 14%
- Energy
- 2%
- Instrumentalness
- 0%
- Liveness
- 33%
- Loudness
- 48%
- Speechiness
- 4%
- Valence
- 8%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bizet: Carmen, WD 31, Act 1: Air et Chœur. "L'amour est enfant de bohème" (Carmen, Chœur) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Les Éléments, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 101 BPM | |
 | Carmina Burana / III. Cour d'amours: "Amor volat undique" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum, Schöneberger Sängerknaben | G Major | 0 | 9B | 92 BPM | |
 | Tristan und Isolde, Act I: Westwärts schweift der Blick | Richard Wagner, Margaret Price, Brigitte Fassbaender, Eberhard Büchner, Staatskapelle Dresden, Carlos Kleiber | F♯ Major | 0 | 2B | 64 BPM | |
 | Requiem in D Minor, K. 626: No 3, Sequence - Tuba Mirum | Wolfgang Amadeus Mozart, Sir Colin Davis, Marie Arnet, Anna Stephany, London Symphony Orchestra, Andrew Kennedy, Darren Jeffery | D Major | 4 | 10B | 80 BPM | |
 | Carmina Burana: XIV. In taberna quando sumus | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | E Major | 3 | 12B | 128 BPM | |
 | Boito: Mefistofele, Prologue: "Ave, Signor degli angeli e dei santi" (Coro) | Arrigo Boito, Julius Rudel, Ambrosian Opera Chorus, London Symphony Orchestra | E Major | 1 | 12B | 86 BPM | |
| Requiem in D Minor, K. 626: No 2, Sequence - Dies Irae | Wolfgang Amadeus Mozart, Sir Colin Davis, London Symphony Orchestra, London Symphony Chorus | D Minor | 4 | 7A | 82 BPM | |
| Requiem in D Minor, K. 626: No 8, Offertorium - Domine Jesu | Wolfgang Amadeus Mozart, Sir Colin Davis, London Symphony Orchestra, London Symphony Chorus, Andrew Kennedy, Anna Stephany, Darren Jeffery, Marie Arnet | F Major | 1 | 7B | 116 BPM | |
| Carmen, Act III, No.20 Trio: En vain pour éviter (Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Major | 1 | 3B | 83 BPM | |
 | Così fan tutte, K. 588 / Act I: "Sento, oh Dio, che questo piede" | Wolfgang Amadeus Mozart, Adam Plachetka, Rolando Villazón, Alessandro Corbelli, Miah Persson, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 1 | 7B | 85 BPM | |
 | Rigoletto: Overture (Preludio) | Giuseppe Verdi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | G Major | 0 | 9B | 101 BPM | |
 | Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | |
 | Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | |
 | La Traviata / Act 2: "Di Madride noi siam mattadori" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 4 | 9B | 138 BPM | |
| Carmen, Act I, No.4 Choeur des Cigarières: Mais nous ne voyons pas la Carmencita!...Quand je vous aimerai? (Jeunes gens/Dragons/Cigarières/Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 107 BPM | |
 | Stabat Mater, P. 77: VIII. Fac ut ardeat | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 2 | 6A | 110 BPM | |
 | Bizet: Carmen, Act 3: "Ecoute, écoute, compagnon, écoute" (Chorus, Dancaïre, Remendado, José, Carmen, Mercédès, Frasquita) | Georges Bizet, Maria Callas/Nicolai Gedda/Nadine Sautereau/Jane Berbié/Jean-Paul Vauquelin/Maurice Maievski/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 111 BPM | |
 | Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Christian Gerhaher, Sir Simon Rattle | E Minor | 2 | 9A | 99 BPM | |
 | Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | |
 | Wagner: Tannhäuser, Act 2: "Freudig begrüssen wir die edlen Halle" (Ritter, Grafen, Edelfrauen, Edelknaben) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | B Major | 3 | 1B | 140 BPM | |
 | The Barber of Seville, Act I Scene 1: Mille grazie, mio signore (Musicians, Count, Fiorello) | Gioachino Rossini, James Levine, London Symphony Orchestra | G Major | 7 | 9B | 68 BPM | |
 | Verdi: La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) | Giuseppe Verdi, Philharmonia Orchestra, Riccardo Muti, Alfredo Kraus, Renata Scotto | A♭ Major | 1 | 4B | 85 BPM | |
 | Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | A Major | 2 | 11B | 94 BPM | |
| Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | B♭ Major | 1 | 6B | 78 BPM | |
| La traviata, Act I: Follie! Follie! – Sempre libera "Cabaletta" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 1 | 4B | 117 BPM |
- ISRC
- GBDGQ0918308
- Label
- L-M Records/RCA Records