Reciting Spells to Mutilate Apophis
Crescent
The Order of Amenti
6:50 February 9, 2018
BPM
92
Key
G Major
Camelot
9B

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Reciting Spells to Mutilate Apophis by Crescent Song Details

"Reciting Spells to Mutilate Apophis" by Crescent had its release date on February 9, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "The Order of Amenti". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. In terms of popularity, Reciting Spells to Mutilate Apophis is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Reciting Spells to Mutilate Apophis by Crescent having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-5.917 dB
Acousticness
0%
Danceability
22%
Energy
85%
Instrumentalness
65%
Liveness
22%
Loudness
90%
Speechiness
10%
Valence
15%

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ISRC
FR1PP1701290
Label
L-M Records/RCA Records