"Chernobyl Aftermath" by Gerhard Bickl had its release date on July 24, 2006. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Chernobyl Aftermath's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Profound Piano". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Germany. Chernobyl Aftermath is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chernobyl Aftermath by Gerhard Bickl having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rushing Intimacy - Remix | Gerhard Bickl | A Minor | 2 | 8A | 115 BPM | ||
| Froggie Went a-Courtin' (Instrumental Version) | Stephen Sullivan | D Major | 0 | 10B | 92 BPM | ||
| En si bémol | Franck Pourcel et son Grand Orchestre, Franck Pourcel | C Major | 2 | 8B | 84 BPM | ||
| Rushing Intimacy - Full Mix | Gerhard Bickl | A Minor | 2 | 8A | 115 BPM | ||
| A Caribbean Mystery - Island | Dominik Scherrer | E Minor | 4 | 9A | 120 BPM | ||
| Echoes Of The Past | Sebastián Van Ley | C Minor | 1 | 5A | 119 BPM | ||
| Golden Hour Glow | Vitamin Sea | E♭ Major | 2 | 5B | 172 BPM | ||
| 月娘私語 | Harmony Kang | C Major | 1 | 8B | 140 BPM | ||
| Want to Dance? - Scene 3 | Maya Belsitzman & Matan Ephrat | N/A | N/A | N/A | 0 BPM | ||
| My Darling | David Celeste | A♭ Major | 3 | 4B | 71 BPM | ||
| Percussive Tension | Roman Raithel, Gerhard Bickl | D Major | 4 | 10B | 94 BPM | ||
| Symphonic Raps | The Charleston Chasers | F Major | 5 | 7B | 118 BPM | ||
| よく会う人 | Harumi Fuuki | E♭ Major | 3 | 5B | 77 BPM | ||
| Donne moi | Franck Pourcel et son Grand Orchestre, Franck Pourcel | G Major | 4 | 9B | 85 BPM | ||
| Up to No Good | Alex Baranowski | F Major | 1 | 7B | 158 BPM | ||
| Grand-Fathers And Grand-Sons | Hélène Blazy | C Minor | 0 | 5A | 100 BPM | ||
| Velvet Gin Parade | The Temporal Orchestra | F Minor | 4 | 4A | 119 BPM | ||
| Street Sounds Through Cotton | Sairen Holt | E♭ Major | 2 | 5B | 172 BPM | ||
| A una galaxia de ti | Mykol | D Minor | 0 | 7A | 170 BPM | ||
| Morning Blues | Franz Gordon | G Major | 2 | 9B | 83 BPM | ||
| Prends-moi matelot - Instrumental from Borsalino & Co | Claude Bolling | G Major | 2 | 9B | 86 BPM | ||
| Makes Me Wonder | Ofelia Moore | F Major | 0 | 7B | 65 BPM | ||
| Beautiful Dreamer | Howard Harper-Barnes | E♭ Major | 0 | 5B | 120 BPM | ||
| Devoted to You | Bob Mervan | F Minor | 3 | 4A | 120 BPM | ||
| Pas De Basque | Million Eyes | A Major | 2 | 11B | 104 BPM |