Louisa Mark's ' "He Used To Be My Man" was released on its scheduled release date, November 5, 2012. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. He Used To Be My Man's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 13 in Breakout (1981) by Louisa Mark. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, He Used To Be My Man's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of He Used To Be My Man by Louisa Mark is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You're Lying | Sandra Cross | B♭ Minor | 3 | 3A | 97 BPM | ||
| Every Bit of My Heart | Sister Love | A♭ Major | 6 | 4B | 138 BPM | ||
| I'm so Sorry (2021 - Remaster) | Carroll Thompson | D Major | 5 | 10B | 154 BPM | ||
| ARMS OF A WOMAN | Bushman | E Minor | 5 | 9A | 152 BPM | ||
| Breakfast In Bed | Lorna Bennett | A♭ Minor | 5 | 1A | 150 BPM | ||
| Tenderly | Ginger Williams | D Major | 4 | 10B | 77 BPM | ||
| Extra Classic, Super Fantastic | Vivian Jones | D♭ Minor | 4 | 12A | 73 BPM | ||
| G Major | 5 | 9B | 71 BPM | ||||
| What You Won't Do for Love | Michael Gordon | F♯ Minor | 7 | 11A | 79 BPM | ||
| You Lie | Leroy Mafia | E Major | 4 | 12B | 142 BPM | ||
| Thank You for the Many Things You've Done | Cassandra | A♭ Major | 6 | 4B | 98 BPM | ||
| Don't Wait for Me | Albert Tomlinson | E♭ Major | 4 | 5B | 77 BPM | ||
| I Wanna Be Loved | Winston Groovy | F♯ Major | 4 | 2B | 147 BPM | ||
| Easy | Jimmy Lindsay | B♭ Minor | 4 | 3A | 154 BPM | ||
| Best Friend | Deborahe Glasgow | F Minor | 5 | 4A | 88 BPM | ||
| 6 Sixth Street - Vocal & Dub Mix - 2022 Remaster | Louisa Mark | C Major | 4 | 8B | 118 BPM | ||
| I'm in the Mood | The Techniques | D Minor | 4 | 7A | 153 BPM | ||
| Waiting in the Park | The Chantells | G Major | 9 | 9B | 128 BPM | ||
| At The Club | Victor Romero Evans | C Major | 4 | 8B | 82 BPM | ||
| Hurting on the Inside | Sammy Levi | D♭ Major | 5 | 3B | 157 BPM | ||
| Falling | Peter Hunnigale | G Major | 4 | 9B | 82 BPM | ||
| Just My Imagination | Peter Spence | C Major | 5 | 8B | 76 BPM | ||
| This Love | Deborahe Glasgow | B Minor | 5 | 10A | 85 BPM | ||
| I Specialize in Good Girls | Keith Douglas | F Major | 4 | 7B | 131 BPM | ||
| When I Think Of You | Ruddy Thomas | D Minor | 4 | 7A | 144 BPM |