Herb Ellis & The Ray Brown Sextet, Harry "Sweets" Edison, Jake Hanna, Plas Johnson, Mike Melvoin's ' "Blues For Minnie" was released on its scheduled release date, January 1, 1975. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Herb Ellis & The Ray Brown Sextet's "Hot Tracks" album is number 4 out of 8. On top of that, United States appears to be the country where this track was created. Blues For Minnie is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Blues For Minnie by Herb Ellis & The Ray Brown Sextet, Harry "Sweets" Edison, Jake Hanna, Plas Johnson, Mike Melvoin to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zesty Flavor | BOKABOKA@Music | C Major | 3 | 8B | 135 BPM | ||
| Voice Beyond the Door | Smoky Avenue | G Minor | 2 | 6A | 112 BPM | ||
| Sound Between Beams | Silas Moonray | G Minor | 4 | 6A | 101 BPM | ||
| Floating After Dark | Arthur Glasswing | G Minor | 4 | 6A | 101 BPM | ||
| Easy Coffee Jazz | Breakfast Jazz | C Major | 0 | 8B | 80 BPM | ||
| Where Sound Floats | Arthur Glasswing | G Minor | 4 | 6A | 101 BPM | ||
| Velvet Paradox | Numa Field | C Major | 2 | 8B | 74 BPM | ||
| Chattanooga Choo Choo | Spike Robinson | G Minor | 5 | 6A | 75 BPM | ||
| Approaching the Line | Croma Collective | G Minor | 4 | 6A | 101 BPM | ||
| Falling Through Quiet | Milan Drex | G Minor | 4 | 6A | 101 BPM | ||
| Trial Run | The Jazz Room | F Minor | 3 | 4A | 62 BPM | ||
| Carnivores | SwisUp | G Minor | 4 | 6A | 101 BPM | ||
| Edges of Nature, Pt. VIII | Collebot | F Minor | 3 | 4A | 125 BPM | ||
| Guilty Road | Mario Monty | A♭ Major | 5 | 4B | 61 BPM | ||
| Totalmente Solo | Cromatica nocturna | B♭ Major | 3 | 6B | 172 BPM | ||
| Before the Pause | Selva Lune | C Major | 1 | 8B | 114 BPM | ||
| City Streets | Jazz Pulse FM | G Minor | 3 | 6A | 97 BPM | ||
| Colour After Midnight | Rowan Blackstone | G Minor | 4 | 6A | 101 BPM | ||
| Aaron | SCVM | D♭ Major | 3 | 3B | 107 BPM | ||
| Marc's Bloesje | L'Equipe Lab | F♯ Major | 7 | 2B | 144 BPM | ||
| Short Politician | Paul Moer, Frank Butler, Jimmy Bond | C Major | 3 | 8B | 131 BPM | ||
| Café Mornings | Breakfast Jazz | G Major | 1 | 9B | 170 BPM | ||
| What They Did with the Furniture | Modanova | B Minor | 1 | 10A | 110 BPM | ||
| The Ray | Salma Del Sol | D Minor | 3 | 7A | 80 BPM | ||
| Ripple | AethericArtisan | D Major | 1 | 10B | 98 BPM |